Boring introduction! I read 21 comics in September, and these were the best.
5. Green Lantern #46
Hey, Green Lantern is great again! We know Mahnke’s art is going to blow our minds, but Johns pulled his weight too, delivering the gore he’s so fond of. There was a lot of progression here, featuring a fight that’s been brewing for a long time. Sinestro and Mongul’s conclusion is not only drawn well, Johns gives each baddie a fun monologue, dripping with a bit of truth. Indeed, for a brief time, Johns made me believe that Mongul could actually win. Loud, bloody, and just the kind of cosmic fun that Johns wants you to have.
4. Wolverine: Old Man Logan Giant Size
It all ends. It was the worth the wait, but for Millar’s part of it, this issue played out exactly how you’d expect, which would’ve been a dull experience, except for the reason we’re all here: Steve McNiven. Just about every panel in here is iconic, ready to be framed on your wall. No matter what silly cliché Millar wrote, McNiven made it sing. However, the writing’s not all bad. This issue pays great tribute to Wolverine’s character as a whole, blending his Western and Eastern ways together. So, even on that corny, Lone Wolf & Cub-inspired last page, I smiled.
3. Detective Comics #857
Another conclusion, what can I say? Those are usually great issues. Alright, Rucka’s opening Batwoman arc hasn’t had as much substance as I’d like, but something we can all agree on is the talent of Williams. We haven’t seen Kate’s origin yet, but she’s already a fully-developed character, mostly due to Williams himself. That continues here, of course, as Williams gets to render some dazzling stunts, with Kate jumping from plane to plane, kicking her way to Alice. Speaking of Alice, this issue delivers a twist with her that I didn’t see coming at all, and it was telegraphed, even on the cover. The twist works, not only to shock us, but as a brilliant window into Kate’s past.
2. Dark Reign: The List – X-Men
I read most of these specials, and this is probably the only one that’s actually a one-shot. Fraction doesn’t conform. This isn’t about political nonsense or the status quo. Fraction gives us the simple tale of revenge, and it works very well. A great deal of that credit goes to Alan Davis. He makes this absurd, spandex-clad medium lyrical. Consider the scene at the end, with Namor, Osborn, and the Sentry. In Davis’ hands, this simple scene becomes a grand confrontation between legends. Superman and Luthor could easily replace Namor and Osborn, and Sentry’s inclusion is the icing on the cake.
1. Dark Avengers/Uncanny X-Men: Exodus
I, like many of you, wasn’t very impressed with this crossover. Fraction’s characterizations were still superb, but the plot seemed to contain nothing but buildup. Well, that all culminated with Exodus, and what a culmination. The epic battle between teams is there, with almost every character utilized. Deals with the devil, an old New Avengers callback, and a new status quo makes this the most explosive comic of the month, and the best too.
Continuing the feature I started last month, here’s my list! I read 17 comics in May, and these were the best.
5. Green Lantern #41
I’m sorry. I haven’t written a review for this comic, and two others on my list, but this was a great Green Lantern issue. This issue, like most of the Johns-penned Blackest Night preludes, is packed with interesting information. On top of that, Johns continues to make Larfleeze (Larfreeze sounds so much cooler) a really interesting villain. But the absolute awesomeness of this issue can be found on the last page. Oh, what a last page.
4. Irredeemable #2
Oh, I love this feeling in comics. The book is new, and it just feels like the best thing ever. Ok, so Irredeemable isn’t flawless, but it’s a damn fine book. When we reflect on the man’s career, this could be the best Mark Waid comic. He’s writing the hell out of this book.
3. Ultimate Wolverine vs. Hulk #6
It’s sad. I think a lot of people dismissed this after the delays. I can certainly understand their reason for doing so, but if you did drop this book early, you missed out on a great series. Lindelof, while being a bit too unchained, actually wrote Wolverine and Hulk as fully fleshed-out characters. You know where they stand. And it’s so refreshing that the real “Wolverine vs. Hulk” of this series was much more psychological, instead of just a flurry of punching. Yu’s art is easy on the eyes as well.
2. The Walking Dead #61
Often thought of as my favorite ongoing series, instead of thinking “Will this issue be good?” I wonder “Just how good will this issue be?” This is definitely in the top-tier of The Walking Dead issues. There’s some bad stuff that happens here. If you aren’t reading this series, you should be.
1. Wolverine #72
Wow! Two Wolverine books in one month? That never happens! That’s because, with so many damn Wolverine books, most of them are repetitive and/or mediocre at best. But that’s exactly why “Old Man Logan” is so good. Millar takes a character that has been severely overused, and breathes some new life into him. Ok, so his actual characterization of Wolverine is more like Clint Eastwood than anything else, but this is a Wolverine story that is actually innovative. This series is packed with off-beat, fresh ideas. Oh, and Steve McNiven’s art is GORGEOUS!
So there it is! Agree? Disagree? Please, let me know!
Why this list? I don’t know; I like lists! This is something I’ve thought about for awhile, but I’ve never had the organization skills to execute this idea. Well, I stopped bothering with some things (Sure, the west half of my house is on fire, but who cares?!?) so I could finally create the awesome list you’re about to experience.
Just to be clear, these are my top ten working artists. All ten of them produced interior work on at least one comic last year. Enjoy!
10. Ed McGuinness
McGuinness is the Wolverine of comic artists. He’s the best there is at what he does. And what he does is draw big muscular cartoony fun! Hulk is the PERFECT book for him. The man was born to draw it. Throw in an extensive Superman (And later Batman) run and you’ve got plenty of pretty beefy heroes to look at. Did I mention that his art is a fantastic model for toys as well? Check it out! Sure, he doesn’t have much range and he’s a bit lazy, but if I ever need anyone to find a vein on my arm, I’ll go to him!
9. Frank Cho
After criticizing EM’s range, I put Frank Cho? Am I crazy? Maybe, but Cho does actually have some range. Go check out his Spider-Man issues with Mark Millar. Sure MJ had big boobs, but his Venom was badass. He also renders some fantastic animals. Who draws Dinosaurs and monkeys better than Frank Cho? And yes, he draws some bodacious babes, but is that really such a bad thing? Yes they’re a bit crude, but it works with an American audience. We’re a bit too uptight when it comes to the female form. Cho just puts it out there. Too preachy? I like big boobs. Better? The fact is his women are tough, sexy, and usually pretty muscular. They can kick the shit out of the men. That’s a kind of female power, right?
8. Steve McNiven
Good, we’re away from the cartoons. Steve McNiven is pretty new to the art scene. Ok, he’s been in the biz for about eight years, but I can count his projects with my fingers. I’ve always considered myself a fan of the man’s work, but his most recent project, Old Man Logan, is what got him on the list. Have you seen that stuff? It’s fucking epic! He’s created an entire future Marvel Universe, aged character designs, and zany stuff like a Venom T-Rex. He’s nailed them all. There’s no doubt in my mind that in ten years when fans discuss the best Wolverine artists, McNiven will be mentioned in the same sentence as Frank Miller and Barry Windsor-Smith. As if that weren’t enough, he also did a stellar job on Civil War, and whether you enjoyed that event or not, at least you were treated to some gorgeous images.
7. Tim Sale
Say what you want about Jeph Loeb, but when he and Sale get together, you get magic. I just picked up that new Daredevil Yellow hardcover a few weeks ago and Sale’s art was absolutely mystifying. His Daredevil is poetic. Sale captured the fallen hero, Battlin’ Jack Murdock, perfectly. Don’t even get me started on his Karen Page. Lois Lane, Mary Jane, Gwen Stacy, Selina Kyle, Tim Sale has rendered some of the most iconic women in comics and yet he always brings something new to the table. Sale is an expert at taking old characters, blowing off the dust, and making them look all shiny and new again.
6. JH Williams III
Whoa! JH Williams III is number six? How the hell did that happen? Because Williams is awesome, that’s why. He’s an artistic chameleon. If you read his three-issue arc in Batman recently, you’ll know that every member of the Club of Heroes had a different art style. El Gaucho is Howard Chaykin, The Knight and the Squire are Ed McGuinness, and so on. On top of that, Williams has some of the most interesting layouts in comic history. If you want to see some expert graphic design, Williams is your man. How he presents his art is almost as intriguing as the art itself. Heck, the only reason why Williams isn’t higher on the list is his lack of content (Or perhaps my lack of reading his content), but with an absolute Promethea volume and his long-awaited Batwoman run coming up, Williams is sure to make my top five soon.
5. John Romita Jr.
And speaking of Williams’ lack of content, here’s a man who has too much content. Romita has been in the biz for nearly three decades. That’s awesome, but what usually happens to artists over time is that their style gets boring. Not so with Romita, his style has evolved. Going from the traditional look of his Iron Man days, to the Kirby/Miller amalgam, Romita has proved that he’s still one of the best. Want proof? While some of the artists on this list (Even those ahead of him, sadly) produce only a few issues a year, Romita is the opposite. In just two years, he worked on a Neil Gaiman project for seven issues, a mega Marvel event for five, a six-issue return to Spider-Man, and an entirely new property with Mark Millar. Throw in directing part of a movie (An illustrated Kick-Ass segment) and you have one fabulous work ethic!
4. Joseph Michael Linsner
This is where you can stop calling my list predictable. What can I say? I feel a deep connection with Linsner’s work. There are times when I think he’s my favorite artist. His style is Cartoony yet realistic. Linsner’s women are cheesecake, yet independent and strong. The man’s work is truly transcendent. I can just stare at for days and days. The Hulk is probably a poor example (Though funny), but please go check out his work. If you feel half the connection with it that I do, it’ll be a wondrous experience.
3. Alex Ross
What’s a “best comic artists” list without Alex Ross? Actually, when I was compiling this list, his name slipped my mind. Terry Dodson was on for quite a while, but eventually (Sorry Terry), an image of Kingdom Come Superman blazed across my mind. How is it, that a character that said so little and was part of so few stories can be as incredibly inspirational as Kingdom Come Superman? I blame Alex Ross. He brings such power and solitude to the grey-haired Man of Steel. It was hammered home this year; KC Superman is the symbol for the man who has unimaginable power, and yet he can’t save the ones he loves. A much bleaker ending than the one Jeph Loeb gave him in Absolute Power, but it’s still undeniably moving. Though Ross spends a little too much time rendering covers and writing nostalgic tales for my taste, Justice, Marvels and Kingdom Come are so well-crafted that he easily earns a spot on the list.
2. Frank Quitely
Remember what I said about Sale and Loeb being magic? Well, that goes triple for Grant Morrison and Frank Quitely. See that picture above? Why did I choose that instead of something like New X-Men and All Star Superman? Because you already know those are great, but you may have never heard of We3. You should definitely read it because it’s fantastic, and that’s what every project is that Quitely works on. His art is truly unique and I mean that in the best possible way. Quitely handles everything, action, facial expressions, and emotion, all of it, like the master he is. The only reason Quitely isn’t number one is because his art has greatly evolved into marvelous beauty within the last five years. My number one, however, has always been at the top of his game.
1. Jim Lee
I never thought Jim Lee would be my number one. It makes sense; Batman is my favorite hero, so it’s only natural that the quintessential Batman artist is my favorite. Lee has always demonstrated greatness. Whether your first experience was X-Men, WildC.A.T.s, Batman, or even way back to Punisher War Journal, you were probably impressed. He’s worked on a few bad projects, sure. That won’t stop you from gazing at his beautiful interiors though. Why do you think All Star Batman and Robin is a best-seller? Its gloriously groundbreaking dialogue? I think not. Whether the words accompanying his art were good or not, I’ve always enjoyed Lee’s renderings immensely.
So there’s the list. I doubt you’ll agree completely. “Good art” is purely opinionated. I only wish that if you haven’t heard of one of these talented men (Why isn’t Amanda Conner on the list?), you’ll go check them out. Hopefully, you’re in for a treat.
Wolverine #70 (*****)
Okay, this story isn’t going to change the medium. This issue features a “twist” that I saw coming and you probably will too. But that doesn’t stop this from being one hell of a good time. This book rarely comes out (We get the next one in March I believe), but every time it does it’s on the top of my stack. This thing isn’t even in continuity! I should be waiting for the trade! But I don’t care. I experience so much joy whenever I see that “Old Man Logan” tag. Who knew the elderly could be so pleasing? As I said, the Shyamalan twist isn’t that great, but Millar executes it brilliantly. Better yet, he doesn’t dwell on it. The story progresses and we even get a cool last-page-reveal. Of course, as I’m sure even Millar knows, this book wouldn’t be anywhere near what it is without the art team. Steve McNiven, Dexter Vines, Morry Hollowell, I salute you. I’m sure you fine people are responsible for this book’s delays but take your time. I’d rather have Wolverine out twice a year than a rush job. If you aren’t reading this book now, you’re missing out on some wonderful euphoria. Oh well, you guys can still enjoy the trade that comes out next year. Oh, and I love the chosen puppet master behind this issue’s scheme.
Kick-Ass #5 (****)
So, do we all agree that the name, Mark Millar, is synonymous with lateness now? Good God, it’s been like five months since the last issue, right? I had to reread the previous four to get up to speed. Oh well, I can’t really hate this book too much. Although I will say that the bit Millar wrote about the comic coming before the movie is bullshite. This issue’s delay is supposedly due to JRJR’s involvement with drawing the animated movie sequence, but I suspect that isn’t the only thing this new movie has influenced. So, last issue we were introduced to Big Daddy, the character Nicholas Cage is playing. Now we’re introduced to the Red Mist, the character McLovin is playing. It seems like the Red Mist gets a lot more screen time than he was supposed to. Anyway, let’s just say I’m really annoyed that the movie and the comic are being produced at the same time. As for the actual issue, there’s not much to say. If you have loved this book like me, then you’ll probably enjoy this. Millar provides some interesting and funny stuff and JRJR makes things pretty. Can we have the next issue a little quicker this time?
Green Lantern #36 (****)
Must I talk about the lateness in every damn review?! Is this the price I pay for quality? I guess, but what happened here DC? Wasn’t Shane Davis supposed to draw this? Then Doug Mahnke was shown as the artist on the DC website. And now that we actually get it, Ivan Reis is the on the book. WTF!? Shouldn’t Reis be working on Blackest Night? Oh well, Reis, as always, brings the goods. Seriously, I don’t care what you think of Johns, the pictures alone should do it for you. And boy does Reis get to show off this issue. We get to see the Red Lantern world, the Blue Lantern world and the birth of a Pink Lantern. And Reis isn’t the only one who deserves praise. Nei Ruffino, the colorist, also shines as you can imagine. Green, red, blue, he’ll have you wondering if you’ve picked up a Hulk comic by mistake. Hell, even the letterer, Rob Leigh, gets to have fun. That’s right, even the word balloons are outlined in green, blue, and red. This book looks fantastic and Johns continues to build his wonderful cosmic epic.
Justice Society of America #22 (***1/2)
And so Johns and Ross’ incredibly long epic concludes. Seriously, this has been about a year and a half in the making. Is it as good as it should be? No, but it’s an entertaining conclusion to a story with limitless potential. I think the main reason for my disappointment is the fact that I failed to realize who was writing my comic. This is Alex Ross and Geoff Johns, these guys live in the past. They, Ross especially, try to tell the same stories they loved as a child. This method is fantastic for kids, but will inevitably leave the rest of us wanting. This is our traditional battle finale. We’ve gotten all that sappy emotion out of the way which makes room for some big combat between the Gods and the men. The fighting ends after some humorous banter and demise of the JSA’s foe. Now we have to get rid of all that Kingdom Come nonsense. Again, KC Superman’s potential seems a bit wasted. Sure he punched a lightning bolt and all that jazz, but for so long he just seemed to blend into the background. Although I will say that Ross, who actually did draw some pages, did give the hero a fitting farewell. I think this review makes it seem like I disliked this issue, but I really did enjoy it. I liked the arc itself even more. Still, as I explained, I can’t help but feel a little sad.
Wolverine #69 (****)
Ok, so I absolutely love this arc. But I was a little disenchanted this time. Why? Probably because it was about two months late. I have the urge to play the “not much happened” card, but I believe my disappointment was because of the wait and this installment certainly wasn’t packed with much info. This is the traveling issue. Millar speeds Wolverine and Hawkeye’s journey so that we can get a proper finale. But that haste comes with a price. There are several interesting visuals including Loki’s skull, the Venom Symbiote attached to some rock, and the Red Skull’s visage added to Mount Rushmore. I’d like to know the story behind those wouldn’t you? I wish there was some mini to accompany this story but I highly doubt that will happen. So what did I like about this issue? Millar made Moloids scary as hell! The conclusion promises that we’ll find out what changed Wolverine next issue (I’m guessing he let the animal out and killed a hell of a lot of people including possibly someone he loves) so I certainly want more. And of course the best thing about Old Man Logan is the art. Steve McNiven, Dexter Vines and even Morry Hollowel have created one of the most beautiful post-apocalyptic worlds ever!
Walking Dead #54 (****1/2)
Sweet fucking Christmas there was a lot of F words in here! That doesn’t bother me but I think it will bother some. I believe the extra swears were due to the new character, Abraham. Honest Abe is one of three new survivors. There aren’t any big events in this issue, but there is a lot of zombie killing! It’s been a long time since we’ve seen much of that in WD. Our heroes haven’t had to rough it out in the open thanks to their cozy prison (Prisons are cozy right?) so they got soft. Abraham and Andrea have an interesting exchange here. I hope Andrea doesn’t cheat on Dale, who appears to have a peg leg in this issue. Did he have that before? I believe this was the end of an arc, but Kirkman manages to stay away from his usual shocking conclusion. It’s refreshing.
Kick-Ass #4 (****1/2)
Billy already wrote a great review about this issue with cool scans. I can’t add too much to that because all I have are words. Words aren’t that important when it comes to Kick-Ass. This series is basically brain candy for the comic fan. Kick-Ass is bloody, sadistic, and fun. This is a quick enjoyable read. There isn’t too much plot, but who cares? This is pure enjoyment. I’m not a big fan of Millar’s shameless promotion (Check out the 1985 promo in this issue. What’s next? A character talking about how much they love Mark Millar?), but this issue did make me laugh out loud so it’s cool. If you’re looking for some fun and really pretty JRJR art, buy this book! Oh and to fit with my presents title, this issue has a lot of gore!
Wolverine #68 (*****)
Like Kick-Ass, this doesn’t have the most substance, but it has a lot of cool flash! I love this arc. It’s an extended What If that’s always a pleasure to read. Millar and McNiven have created an incredibly intriguing future. There are even a couple unexpected twists and turns in this issue. Oh and yes, there is a lot of gore in this issue! The first two have been violent, but we get even more blood and action here. Someone even gets decapitated using a shotgun like a club! Things will probably get even more violent. I’ve mentioned it before but I’ll say it again, McNiven’s art looks amazing! i’m extremely pleased that this creative team produced an interesting tale for an overused character.
Green Lantern #33 (****1/2)
Very cool. It doesn’t bother me in the least that Johns is borrowing so much from The Trilogy (obv you should know what trilogy I’m speaking of), and he’s basically admitted as much in interviews. Spence, I know you want to jump in here and call me a hypocrite, but this is totally different than what Mark Millar is doing. First, Johns doesn’t hype the shit out of his work. Second, it’s really well-written. Talent really does mean that much. Anyway, okay, I do have some issues with this issue. First, is there going to be some kind of “mind-wipe” action in Sinestro and Jordan’s future? How come they don’t remember any of this? I can see the Guardians pulling this off to protect their secrets. In fact, if this does happen, it adds so much to an already mythic run and totally validates Johns’ need to tell this retconned origin story. Second, the ring-less fighting promised for next issue… um, why are we repeating ourselves? I’m hoping there’s a reason for this, and as always with Johns, I’m positive there is.
Ms. Marvel #29 (****1/2)
So, question: Has Brian Reed just been killing time in this book ‘til the “Invasion” or what? Is this why his SI tie-ins have been so awesome and the 10-15 issues preceding them had been such trash? Or, is Ms. Marvel finally reaching the climax of her “I want to be the best hero ever!” arc? I love the irony that being the best hero ever also means not being very heroic. Killing Skrulls, for example, even in times of war is still murder. Heroes don’t kill. I mean, Superman would find another way, right? I hope there are repercussions here. I hope someone in the Marvel Universe brings this up later. Like, do you guys remember the first couple of issues of the Kurt Busiek Avengers, when Carol got kicked off the team for killing someone? I want some drama, damn it! Don’t get me wrong, I’m not complaining. This book rocks! I just hope it’s also serving as the setup for even greater things to come.
Thunderbolts #122 (*****)
How does one follow up the epically fantastic Ellis run? I have no idea, but Gage is off to a great start. He somehow manages to maintain the tone established by Ellis, but at the same time injects enough of his own insanities into the characters to give us a little bit of the new, the fresh and the excitingly evil. Gage ain’t just aping Ellis; he totally owns this book! “Ellis who,” I found myself asking after finishing this issue. And it’s still ####ing funny!
Wolverine #67 (***)
Better than the last issue, mostly because the expo wasn’t so heavy-handed this time. Millar kind of relaxed a bit and let us enjoy the pairing of Hawkeye and pacifist Wolverine. Loved the Ghost Rider gang and loved the Hawkeye violence, but hell, I love violence in general, so that’s not saying much. The “Hammer Falls” thing is the most inspired idea in this arc so far. The teenage “Spider-Girl” wannabe is the least. I’ll finish the arc, because I’m a completist and I own every other issue of Wolverine, but I’m still waiting for that HUGE jaw-dropping moment. The fact that it hasn’t happened yet is encouraging, it means maybe Millar is saving it for the end, which would mark a change for him since in the past his endings have been the weakest parts of his stories. Oh, maybe a showdown with the Hulk? …also, yes, the art is amazing.
• Astonishing X-Men #25 (*): I waited to read Uncanny X-Men #500 (in depth review to follow shortly) before reading this on the recommendation of the Pull List guys, I believe, and you know what? Didn’t help with the enjoyment, got to say. WOW. This book is terrible. First, the art: YOU CAN”T FUCKING SEE ANYTHING!!! It’s so dark! Second: WHO THE FUCK ARE THESE CHARACTERS!!! CSI X-Men is right. I’ll rant more about this when I do my UX:500 review, tomorrow or Saturday, because these books definitely go hand in hand in terms of quality. UGH.
• Black Summer #7 (****): And it’s finally over. And I liked it. And I may have to re-read the entire thing again. It got a little preachy at the end, but it made sense. I like that Ellis remembered to answer the question he posed in the zero issue. And I agree with him. For a second there, I thought he’d gone off the deep-end and was advocating violent regime change. Thankfully he’s still only half-crazy and not full-on bonkers crazy.
• Fantastic Four: Secret Invasion #3 (****1/2): This is exactly the type of mini I wanted (a story focusing on the interpersonal conflicts caused by the invasion) and it totally exceeded my expectations. I liked that it tried to reconcile old FF-Skrull continuity with new Bendis-Skrull continuity. This book was pitch-perfect in every single way except one: Lyja deciding to stay behind in the Negative Zone. This sounded like “Hey, Bendis says he doesn’t want to use Lyja in the main event, so get rid of her before the end of the mini.” That sucks, but at least they didn’t kill her. Anyone else wish RAS was still writing an ongoing FF book?
• Invincible #51 (****): I like the new costume and direction, but I wish Kirkman would cut it out with all the fucking subplots. Like, tell a main plot once in a while, dude! The final page reveal was not shocking or unexpected. That guy is totally the resurrection type of villain. Oh, and for all the haters, I don’t know what your problem is with the coloring, I actually think it looks tons better.
• Justice Society of America Annual #1 (****): I hate Earth 2, and yet… this was so good! OMG, why are there two Power Girls!?! OMG! Why is JSA so awesome?! OMG!!!
• New Avengers #43 (****1/2): Out of all the New/Mighty flashback stories, this one has been the most satisfying so far. It gave us tangible answers about what’s currently going on in the SI mini. Like, all the dudes in the ship are Skrulls. Mystery solved. Mockingbird is a Skrull and she doesn’t know it! Drama! Bendis, you sick bastard! And you’re a liar. You said you were finished torturing Hawkeye, but dude, what happens when he finds out she ain’t who she says she is? Great drama, that’s what! Also, I liked that I was made to feel sorry for Cap-Skrull. Three-dimensional villains– Hooray!
• Robin #175 (****): Other than losing a star for that terrible final page, the pose and dialogue made me cringe, I really liked this issue and I don’t think it portrays Robin out of character at all. Not at all. And, he finally voices his anger over what Stephanie did: the “I know you loved me and shit, and you would have liked to have known, but like, sorry I couldn’t be bothered to let you know I was still alive” crap. Yes, real human emotion has returned! I miss Dixon too, but Fabian appears to be an excellent second choice.
Ultimate Spider-Man #124 (*): Sigh, more game continuity yay! There was an Ultimate Spider-Man game released a few years ago. It was written by Bendis and took place supposedly in continuity. For years it didn’t seem that was true until now. So, just like last issue, we kind of get a recap of the game. Well, I’ve played the game and I own it so I’m a bit bored. I tried to think about this from someone else’s perspective that hadn’t played the game and it still seems boring. I didn’t get any new information. I didn’t get any good fight scenes. I didn’t even laugh at all. The only thing that would’ve saved this was really pretty art which I may have gotten from Bagley but I didn’t from Immonen. This is disappointing all around.
Wolverine #67 (*****): I can’t recall a time when Mark Millar was releasing so many books. It’s also a bit interesting that almost every book he’s putting out is getting mixed reviews. He seems to be very hit or miss. Was Ultimates the peak of his writing career? I don’t know. What I do know is that I’m one of the people that consider this book to be a “hit”. I’ll first address the most common complaint I’ve heard about this book, “It’s an Unforgiven remake”. Almost everything in entertainment takes little bits and parts from something else. Is it true that there is a little bit of Unforgiven? Yes it is, Millar admitted that himself. But there’s also a little bit of Miller’s Wolverine, Windsor-Smith’s Wolverine, and Mad Max. It’s an amalgam of all those and probably even more, but when it’s all combined and given the Millar twist you’re left with something original. First off, the art is astonishing! I’ve always been a fan of Steve McNiven and his art looks phenomenal in this book. I think Dexter Vines is the unsung hero there, his inks are always fantastic and they’re no different here. Those of you who felt this is an Unforgiven rip-off will probably enjoy this issue more because we get away from the farm. We go on a tour of this post-hero world. Themes like obsession and worship get explored. I don’t want to give too much away, but I’ll just say that Millar certainly understands the fun you can have with the Marvel Universe’s future. Ugh, so much to talk about that I can’t say. Just read it!
The previous two big time events from the big two (we’re not talking Amazons Attack or World War Hulk here) both ended in controversy. Both Civil War 7 and Infinite Crisis 7 had to deal with a lot of fan backlash over disappointing endings. I can’t help but agree as concerns Infinite Crisis, but I must say that I loved the ending to Civil War, and I’d like to tell you folks why. Continue reading