Superman is an old character, and one that some people have often had trouble relating to. Seen as the ultimate boy scout, as a man in a stable marriage who works a 9-to-5 job, teens in particular often reject him. And while other writers have played up Superman’s genuine outsider status (most brilliantly in recent years, Kurt Busiek in the fantastic and melancholy Superman: Secret Identity), few have aligned it so thoroughly with the spirit of teenage rebellion than Grant Morrison is doing in Action Comics right now. I don’t know if the audience will bite, but Morrison has envisioned a thoroughly youthful Superman, a self-righteous warrior for truth with a black-and-white view of right and wrong and the power to try and enforce change. But like we all discover eventually, change is really, really, really, really hard – even for Superman – and pushing against the status quo is a great way to make enemies.
Once of the most difficult things to accept about this relaunch is the same problem I had (and, in part, still have) with Marvel’s Ultimate Universe: why reboot things if you’re just going to keep telling the same story? Particularly in the beginning of Ultimate Spider-Man, each arc introduced and discarded a classic Spider-Man villain – where’s the fun in that? But, after going on a run through the first five or six arcs, I started to get it. It was a chance to revamp and update classic characters for a new audience, and slowly slide things in a direction we never would have predicted. Rather than jumping in blind with ideas that will be (inevitably) compared to their classic counterparts, the Ultimate Universe started slow and built up a following all its own, a rhythm unique to itself.
While lebeau continues to give you a fantastic title-by-title breakdown of the upcoming relaunch, I’m going to take a slightly different take on things. With the full solicits revealed, release dates included, we now have a slightly better idea of what to expect come September. So I’m going to break down the solicits by release date, talk a little bit about what I’m going to get – and what I’m going to skip – and why, so you’ll have an idea of what some of the books that will definitely see coverage here will be… and which of your favorites you can heartily mock me for skipping.
So, with that brief introduction, on to week one of the solicits, otherwise known as… September 7th.
Siege continues to impress as characters finally wake up out of their years-long stupor and realize, “Wait, putting a bunch of supervillains in charge of everything was a bad idea, not a good one.” Admittedly, no rationalization is given as to why this was seen to be a good idea in the first place, but in the spirit of fair reviewing, I won’t criticize Siege for the events of House of M, Civil War, Secret Invasion, or Dark Reign. Instead, I will simply say this: with an excellent art team and a relentless pace, Siege resembles the epic scope and breakneck action adventure of Bendis’ best Mighty Avengers issues, but without thought bubbles or ass-shots. There’s no impressive narrative trickery and the characters are little more than props for elaborate, gorgeous fight scenes, but that doesn’t stop Siege #3 from excelling at upping the ante of an already-epic action book.
– Cal Cleary