Long Beach Comic Con 2009!

Yes, I was there at the first Long Beach con. I thought I’d share my adventures with all of you, and by adventures, I mean pretty sketches.

Amanda Conner’s Supergirl!

I’m going to get a detailed one someday, but these quickies are great too.

Darick Robertson’s Frenchie and Female!

It’s hard to tell in the photo, but this piece is huge.

David Finch’s Catwoman! 

David modeled this after Jim Lee’s art. So, to have Scott Williams ink it is perfect.

Doug Mahnke’s Frankenstein!

Doug. Mahnke. Frankenstein. ‘Nuff said!

Geoff Johns’ Hal Jordan!

I should’ve had him write in the word balloon: “I am so kewl!”

J. Scott Campbell’s Mary Jane!

Finally, after years of waiting.

Micah Gunnell’s Black Cat!

Always a pleasure to talk to this guy, and the sketch aint bad either!

Philip Tan’s Scarlet!

Man, that’s ugly. In a good way.

Simone Bianchi’s Shining Knight!

Two soldiers down, five to go.

Notable signed items?

Ennis’ second out-of-print Punisher hardcover!

Skull, courtesy of Darick Robertson. Mini-Frank, rendered by Jimmy Palmiotti. And that third signature belongs to big Frank himself, Thomas Jane.

The Pro, in oversized out-of-print hardcover style!

Signed by the entire art team: Amanda Conner, Jimmy Palmiotti, and Paul Mounts. This just demanded a Pro sketch, and Amanda was kind enough to deliver.

That’s all, folks. I had a blast, and I hope it’s even better next year.

For more comic goodness, go here.

Review: Uncanny X-Men #510

How do I know that Fraction is a good writer? Because even with all of Uncanny X-Men’s baggage, servicing every other X-Plot, the numerous characters, the Greg Land art, and the fact that Uncanny X-Men hasn’t been good in a decade, Fraction still manages to make Uncanny X-Men original, character-driven, and entertaining. This issue is non-stop action, which, believe me, can be very boring, but Fraction injects some wit, continuity references, and plot into the mix. Fraction’s writing is top-notch.

What about Greg Land? Well, this is one of his better issues. There weren’t any obvious swipes, except maybe this:

 

 

 

 

 

 

 

 

Isn’t that from a movie or something? Anyway, Land didn’t really bother me that much. Sure, with all the tracing going on, some of the action panels looked weird, but those generic faces looked pretty.

If you haven’t heard of the Sisterhood’s plot, it’s pretty fun. It’s an example of the twisted continuity references that Morrison mastered. It’s original, while paying homage to decades of X-Men comics. This was probably the most enjoyable installment of the current arc so far. I eagerly await the conclusion.

Grade: B+

For more comic goodness, go here.