SeventhSoldier Presents: The Christmas Haul!

 

So, rather than save my Christmas money*, I did what any sensible person would do – I bought comics!  Sure, I can’t pay rent for February, but I got some quality reading done in the meantime, so all is good, at least in my head.  Without further embarrassing personal detail, onwards!

 

Northlanders: Sven the Returned

 

While the adherence to modern slang and language might be off-putting, it soon becomes subsumed in the tale of a stubborn Viking who just wants people to quit fucking with him.  Entertaining and violent, with just a touch of the dramatic, the first trade nevertheless fails to surpass the standard Viking revenge tale.  Still, the hint of promise shown within make me hopeful for future offerings.

Grade: B-

Scalped: Indian Country

 

 

The hype from Jason Aaron’s reservation-life Native American noir is heavy, and this opening trade fails to deliver.  Standard art combines with a story that barely serves as more than an introduction to make a disappointing first volume.  There’s promise to be found in the filth the book revels in, but it takes some digging to find.

Grade: C-

Scapled: Casino Boogie 

 

 

Scalped: Casino Boogie

The second trade, however, delivers in all the ways the first one didn’t.  Introducing new twists to the story, the book does it in a creative and entertaining way, each issue taking place over the span of the same day, but from a different point of view.  Here we finally get in deep with the various players on the reservation, and here we finally have a reason to care.  Count me among the converted.

Grade: B+

Phonogram: Rue Britannia

 

 

I have trouble explaining how much I enjoyed this from relative newcomer Kieron Gillen.  Ultra-masculine Brit hipster David Kohl is forced to search for a dead goddess of Brit Pop music and find out just what it going on in the ether that’s causing him to change in drastic (to him and no one else) ways.  Even given my relative unfamiliarity with the bands and trends being mentioned, I nonetheless could relate to the sheer power music has in the lives of these people.  An intriguing story and a fascinating setting just a little to the left of our own work together with simple (but clean and gifted) art to provide a book well-worth your money.  A story about reinforcing why you love what you love, about coming to terms with it and its influence on your past.

Grade: A-

Buffy the Vampire Slayer: Wolves at the Gate

 

The Whedonisms of the book are beginning to grate, and while it is still an undeniably enjoyable book, some of the particular thematic and writing tics of the book are wearing.  Nonetheless, the book continues to excel at humorous, heartwarming, heartbreaking relationships, and fans of the TV show will continue to enjoy the rapid-fire wit and excellent dialogue.

Grade: B-

Hellblazer: Joyride

Andy Diggle, writer of The Losers and Green Arrow: Year One, seemed like an odd choice of writer to take over the Hellblazer writing chores after award-winning horror novelist Denise Mina, and Joyride is his first collection, a series of stories meant to bring John back from the brink where he’s been hovering through the last couple writers. The story is entertaining and suitably dark, a good set of arcs to set up what Diggle seems to hope to accomplish.  Expressive, dark art from Manco and strong ties to the recent Hellblazer run of Mike Carey combine to make a standard, but competent story.

Grade: B

Gotham Central: The Quick and the Dead

 

The fourth trade in the Rucka/Brubaker masterpiece bringing a refreshing bit of realism to the gritty uber-epic Batman mythos, The Quick and the Dead might be the weakest trade in the series thus far… but given the strength of the characterization and dialogue, it still serves the series well, and shows time and again how Crispus Allen and Renee Montoya got where they are today.

Grade: B

Casanova: Luxuria

 

 

Matt Fraction’s tiny little piece of insane pop action is well-introduced in this first volume.  While stylistic art takes a little adaptation to those of a more traditional bent, it nonetheless complements Fraction’s hyperkinetic action hero well. Fun fluff, well worth the shot for fans looking for a little something more from their action espionage comic books.

Grade: B

The Filth

 

 

Yet another obscure entry from Grant Morrison, the Filth almost delights in being obtuse.  Filled with crazy, creative ideas, it boils down to a cranky old man who just wants to be alone with his cat in its dying days.  Weston had his work cut out for him, but he steps up to the task admirably and delivers on many of the absolutely horrifying concepts Morrison bandies about with creepy ease.  Absolutely not for everyone – not even for most people – the Filth nonetheless may offer some readers a glimpse into the darker side of Morrison’s work, that they might better understand where he’s coming from in the lighter works.

Grade: B

Young Liars: Daydream Believers

 

 

The first disgusting trade of Young Liars is finally available, and well worth a gander.  Like Mike Carey’s so-so Faker, Liars focuses on disgust, betrayal and selfishness, but the refreshing blitz of Sadie, teamed with the self-loathing love of young Danny, make for far more compelling interactions.  The attitudes of the book may be a turn-off for many, and some bizarre stylistic choices in terms of background and dialogue can be confusing, but it is nonetheless worth a gander.

Grade: B+

Fables: War & Pieces

 

 

Willingham’s epic seems to move in waves.  Alternating between stories with a great deal of creativity, heart and action all laced together with a healthy dollop of bastardized mythology and a series of stagnant set-up arcs with a lot of introduction and even more nothing-really.  So, it should be no surprise that after that strength of The Good Prince and Sons of Empire, War and Pieces reads as a perfunctory conclusion to the first major conflict in the Fables-verse.  An important book plot-wise with (as always) impressive art, War and Pieces is nonetheless another dry spot in the ongoing story.  Not bad, just not up to the standard the book set for itself.

Grade: B-

DMZ: On the Ground

 

Brian Wood’s breakout hit about a the only on-location journalist at ground-zero of America’s second Civil War appears to be almost entirely a setting-building exercise that also happens to casually examine the horrors of war with which we are all pretty familiar.  Still, the excellent art provides a certain touch, and Wood’s story excels where many such stories fail in its compelling cast of supporting characters and slice-of-life stories, like the sniper romance.  Wood doesn’t let us revel in a single aspect of war atrocity on home soil, instead taking us through a series of small arcs to see the effect of the civil war and troop involvement in New York City itself.  Thanks to its easy familiarity with a cool cast, DMZ proves itself a consistently entertaining read with just a touch of the frighteningly familiar.

Grade: B+

 

 

 

*okay, admission time – it was actually just gift cards, so it wasn’t actually a waste, and some of these were bought before or after Christmas that I just never got around to reviewing.  I may begin to review some of my older trades as my pull list (and available cash) dwindles.

 

SeventhSoldier’s Top 10

So, you all have been doing your top 10 monthly books, and I feel bad, because I don’t read 10 monthly books!  Sadly, I can’t afford it.  I read Final Crisis, most of the Final Crisis tie-ins, and 4-5 monthlies, and when FC ends, I’ll jump on another few books, preferably minis, but until then…I really can’t join the fun, there.

Instead, I decided to think about ten books that deserve some love.  Most of them are done already, and while they’re pretty good, you may not have had a chance to check ’em out, yet.  No Sandman, Preacher, Watchmen, etc…here, but instead a selection of enjoyable books that I find most comic fans have never read.

10. The Book of Lost Souls

JMS can be a fairly controversial writer, and often an unpopular one.  I know that I’m not really a very big fan of his mainstream work, or what little of it I’ve read thus far.  And The Book of Lost Souls is a fairly large vanity project – a weighty series with excessive high school level symbolism with an effeminate hero and a bizarre mythology

Despite all that, though, this seems to be where JMS most shines.  There’s no editorial mandate, no continuity – just a palate for ideas, where nothing is really off the table.  Not everything sticks, especially the completely forgettable last issue, but the book remains a sweet, emotional book with more of a focus on healing than on hurting, which is a rare sight in comics.

9. Global Frequency

The premise behind Warren Ellis’s Global Frequency is irredeemably sci-fi, and falls apart at the barest prods, but it’s less a plot and more a structure through which Ellis is free to examine sci-fi tropes in comics.  Each issue is a stand-alone sci-fi story about one or more member of the Global Frequency, a world-wide organization of specialists who trouble-shoot the bizarre problems that are popping up as we gain more and more access to technology.  

The stories in the two trades range from an issue-long battle between two cannibal martial artists (in an issue helpfully titled ‘Ultraviolence’) to a memetic alien invasion, to bio-terrorist threats.  Some issues are action packed, while others are more thoughtful.  But all throughout, Ellis’s ability to keep the story contained lends it a clarity that many books lack.  Far and above one of the best purely sci-fi books you can find, especially if you generally appreciate Ellis’s work – this is one of his best works.

8. Promethea

Alan Moore made his name in comics a LONG time ago, writing some of the most enduring stories the medium has ever known, with a wide-stream appeal the medium may never know again.  Also, he’s crazy.  And while sometimes that madness manifests in angry rants and snake worshipping cult magic, sometimes it manifests in a book like Promethea, a modern magical manifesto, an exploration of all things mystic.

Yeah, Moore has done plenty since leaving Marvel and DC – on top of Promethea, he has the excellent Tom Strong and Top 10, and Top 10 especially is worth checking out – but Promethea stands out to me as the most uniquely Alan Moore project we’ve seen in years.  It’s a fascinating blend of adventure, mysticism, and coming of age, and through the book Moore almost off-handedly creates a vivacious super-heroic setting.

It’s understandable why Promethea doesn’t have a huge audience – with some issues done entirely in rhyme, and some taking place literally entirely in metaphor, the series requires you to put some effort in to it.  But if you do, and if you enjoy a healthy dose of bizarre mysticism, you should definitely read Promethea.

7. Crossing Midnight

Crossing Midnight was all set up to be Mike Carey’s next big Vertigo smash.  It had Japanese mythology, insane battles, monsters, everything – but it opened slow, and Vertigo books can’t do that, nowadays.  Readership dropped, and things fell apart.  Don’t let its quick cancellation fool you, though – Crossing Midnight was one of Vertigo’s best titles, and despite the fact that it didn’t live long, it definitely deserves a read-through if you have any interest in Japanese mythology, or in stories of mortal pawns in a war of the gods.

Crossing Midnight tells the story of a pair of twins.  One was born just before midnight, the other, just after.  This separation defines their relationship, as one grows up a perfectly normal young boy, and the other grows into a wildchild, especially once she learns that she cannot be cut or stabbed, for reasons unknown to her – the blade will slide away, or bend, but will never hurt.

The machinations of the gods are, of course, involved, and Carey does an excellent job of slowly introducing more and more mythological elements into the world these two seemingly ordinary Tokyo children live in, until they’re almost irrevocably swamped in it it.  Definitely a must read for fans of mythology, or of good urban fantasy story-telling in general.

6. Criminal

Brubaker gets a lot of nods here in this list, because a lot of his projects are quality books that get cut because they don’t meet the standard superhero mold, and Criminal is no exception.  While it has managed to scratch out a second season, things don’t look hopeful unless readership picks up – and the book definitely deserves to get picked up.

Featuring a rotating cast in VERY loosely tied-together arcs, the stories in Criminal are all about…well, criminals.  From thugs to master planners, each arc is an excellent, small noir piece.  There are no super-humans, there are no costumes.  There are just bad men, and men put in bad places.  But the characters Brubaker creates are realistic, the situations they get into are plausible, and it’s frankly a joy to read such carefully crafted stories of greed and vengeance in a medium that often treats such topics in a laughably juvenile manner.

5. Gotham Central

Gotham Central has a premise that should be fairly irresistible: what’s life like for the cops of Gotham City?  What is it like to deal with people like Two-Face, the Joker, and Mr. Freeze on a daily basis?  After all, you don’t have the billions of dollars worth of gadgets, or the decades of training, that Batman does, so just how can you show up to work, knowing what you could face down?

With excellent art my Michael Lark, Brubaker and Rucka team up to answer those questions, and to introduce you to some of the DCU’s bravest characters.  The story fleshes out a great (never used) supporting cast for Batman, but it also does a lot for the bad guys of Gotham – the Two-Face arc is great, especially the (admittedly not originating in Gotham Central) first meeting between Renee Montoya and Two-Face during No Man’s Land.

Gotham Central wasn’t a book for everyone, and ultimately it had a good run, but it’s still a book that you should definitely check out if you have any interest in Gotham City OR in crime dramas.

4. Sleeper

Ed Brubaker has long since made his reputation as a master of comic noir on books like Daredevil, the aformentioned Gotham Central, or the also mentioned Criminal, but this is among his strongest books.  Sleeper is the sequel to a Wildstorm mini called “Point Blank”, a tragedy about a few Wildstorm regulars.  Point Blank introduced us to Holden, a super-villain working in a massive, evil group…who happens to be a good guy at heart, working undercover for the government.  But when things go wrong and the only person who can verify his story slips into a coma, Holden is trapped as a super-villain, forced to live a life he never wanted working for an organization he despises, hunted by his former allies.

Sleeper is Holden’s story, start to finish.  Like all good noir, it’s a little bit comic, it’s a lot bit tragic, and the bad guys are the best part of the whole damn thing.  Characters like Miss Misery and Genocide Jones, horrific people who would in most settings be reviled, become sympathetic, even likable figures, as Brubaker does things to humanize villainy that few comic writers care to try.

3.Doom Patrol

Grant Morrison’s Doom Patrol honestly might be the best team-superhero book ever printed, to my mind.  They were originally conceived of as a team of outcast heroes, who were set apart from humanity in some fundamental way – much like the X-Men.  And while the X-Men took the idea one way (towards making them all celebrity supermodels with awesome powers), Doom Patrol quickly went the complete other way.  The heroes were truly damaged, unable to function in normal society in some way thanks to the abilities they had.

Doom Patrol had some of the best character creation I’ve ever seen – from Crazy Jane, a woman with over 60 distinct personalities, each of which had its own superpower, to the Quiz, a Japanese woman with every superpower you haven’t thought of.  The enemies were every bit the outcasts the heroes were, and they generally weren’t even really bad people – they just didn’t understand the world.

Doom Patrol is a book for anyone who loves the outcast, or for anyone with a yen for something insane.

2. Death

Okay, I cheated a little bit.  I said no Sandman – well, this isn’t Sandman!  It’s Death, his older sister!  And, to be fair, while I find that many comic fans have read Sandman at some point in their lives, I also find that many have missed out on reading the best spin-off there is – Death: The Time of Your Life and Death: The High Cost of Living.

These two thin volumes represent some of Gaiman’s better works, especially The Time of Your Life, a continuation of the story of Sandman’s Foxglove and Hazel.  Like many of the books on here, it’s a little sad at times, but the book digs deep to show us just how much friendship can mean, and what we sometimes have to give up to be responsible for our loved ones.  It’s not as epic as Sandman, but it doesn’t try to be – his Death has always leant herself towards a more personal touch, and she’s made excellent use of in these two stories.

1. Astro City 

Kurt Busiek’s Astro City is, in many ways, his love song to comic books.  If you’ve ever wondered why Busiek, whose runs on Superman, Avengers, and other big titles were generally met with relative indifference, still gets referred to in awe, wonder no longer – Astro City is it.  Often billed as ‘the most realistic look at superheroes’, that isn’t quite right.  It’s a world of superhumanity from the point of view of the average guy, or the world of superhumanity when it isn’t strapped down with all the rules and regulations Marvel and DC place on it to keep their cash cows fat.

He’s done it all.  Astro City contains commentary on Crisis on Infinite Earths, on a Skrull Invasion, on the celebrity life-style of the Fantastic Four, and on just how harsh Superman’s day could be.  He’s answered the question, “Why on earth would ANYONE live in a city with superhumans?!”, and he’s tackled both street-level and cosmic scuffles.

Astro City is one of the best comic books ever printed.  Each issue is so packed full of love for the medium of superhero comics that you can’t help but smile the entire time you’re reading them.  While most of the series is solid gold, two particular issues stand out.  If you have a love of super-villains and the insane stunts they pull, the single issue story “I’ll Show Them All!” featuring the Junkman is one of the best, and if you want to see how something like Crisis on Infinite Earths might effect a normal person, look no further than “The Nearness of You”, a half-issue story that just might be the most heart-breaking comic you’ll read.