Review: Free Comic Book Day 2010

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Well, I could pretty much copy my intro from last year’s FCBD coverage. I did pretty much the same thing. I didn’t go to the comic book store, instead spending my time with boxing, beer, and babes. I got my free comics early, so I can still review these things.

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Bruce Castle Presents: New Avengers or New Krypton? Or New Coke?!

New Avengers #46 (***1/2)

I love villain books. Secret Invasion from the bad guy POV? Bring it on! This issue was a lot of fun. Particularly if you like The Hood and the cronies he hangs around. Bendis doesn’t really bring anything new to the table, but I still had a good time. Even though I’ve heard a lot of praise for Tan’s art, I feel that his work is just above average, but he makes the baddies look cool here. The most interesting thing in the book is of course non-Skrull related. It kind of sets things up for the future of the NA, or at least gives them a new foe to face.

Superman: New Krypton Special #1 (****)

The first five pages are completely wordless. Why? Because we’re dealing with the Action Comics #870 events. These pages are drawn by Frank and of course he knocks the artistic ball out of the park. Actually, the book’s look in general was very impressive. That’s near impossible when you have several artists working on one comic, but somehow they pulled it off. This seems like an interesting event, but I kind of already know where it’s headed. The foreshadowing is too heavy. Another thing that bugged me is that Robinson’s writing was weak. Yes I realize this is written by Johns and Gates too and how can I tell who wrote what, but I can use common sense. It’s like in 52, do we know who wrote what? No, but we have a really good idea. I think I’ll be skipping the Robinson issues unless of course I hear they’re great. Anyway, this seems like it’ll be a pretty good story and I think you should at least give it a try. Oh, and I skipped that five buck Olsen crap and I don’t think I missed anything important.

Bruce Castle Presents: Screw Technology!

Invincible Iron Man #6

Invincible Iron Man #6 (****1/2)

After only the first arc, Fraction has proved himself to be a fantastic Iron Man writer. He has a great feel for the character. He shows just the right amount of love without detracting from a major part of Tony’s character, he is flawed. I’ve complained about Larroca’s art several times, but he does a fine job here. Just like last issue, there is a lot of fighting going on and so Larroca’s weaknesses are not as easily seen. This was a strong opening arc, so strong in fact that Fraction has already helped out with the Iron Man 2 film. If you’ve ever thought about reading Iron Man, now is the time. It looks like we’re in for a few fun issues and then Fraction supposedly has a big “Born Again” arc for us. I can’t wait.

Action Comics #870

Action Comics #870 (*****)

I think we all knew how this was going to end. The covers gave it away, the little moments with Ma and Pa gave it away and even the media gave it away, but that doesn’t detract from the arc’s power. This Brainiac story has been fantastic and this was a hell of an issue. You will experience such a wide range of emotions within these pages. I believe I’ve praised his work in every review but I’ll do it again, Gary Frank’s art is amazing. He hits all the right notes whether the scene calls for humor, fear, or sadness. Johns’ writing is fantastic as well, but he seems to get more love than Frank. I think one of my favorite things about this issue is what causes the death. Brainiac’s motivations are so human and primitive. Gary Frank won’t be on this new Krypton arc but I hope he comes back. With this and All-Star Superman, 2008 is a great year for Superman.

Top Ten: Comics That Work Best As Monthlies

Recently in the comments section of this post, I brazenly asserted that Batman, by Grant Morrison & Tony Daniel, fails as a monthly comic reading experience. Basically, I feel the plot is too convoluted or complex for easy monthly digestion, although I’m sure it’ll go down very easy in trade.

So, what makes a good monthly comic? A couple of things:

Comics that put “character” first!

Comics that tend to focus more on character than plot are inherently more readable as monthlies. When jumping into the middle of a six issue arc, its character that pulls you in and fills in the holes. With the exception of Fantastic Four, every comic on my list stars a single character.

“Done-in-One (or two)” Stories!

There’s no need to wait for the trade if each arc is only 1-2 issues long, right? Again, this type of story goes well with character writing. Since the plot isn’t required to sustain itself for 3-6 issues, it can be pared down and used primarily as a vehicle to reveal the titular hero’s character. Batman and Zatanna team up to stop the Joker!?! Reading that story you find that it’s not really about catching the Joker as much as it’s  about developing Bruce and Zatanna’s relationship. Also, without really sacrificing the overall plot, these “done-in-one” stories can be framed like TV episodes that when viewed over an entire season combine to reveal a hidden master plot. Think Buffy, Heroes, etc… As many of us know, it can be very intimidating for a new reader to jump onto a book with a long running story, so hiding the plot in this manner is a great way to eliminate that intimidation factor. It also allows the writer to integrate sub-plots with clearly defined conflicts into the background that can be slowly developed and brought to the forefront at a later date, as Mark Millar does in Fantastic Four.

Cliffhangers that punch you in the face!

I mean, does this one really need explanation? There are quite a few comics (many on this list) that use the “final page splash” to great effect in almost every single issue. The rush you get from experiencing these in a floppy is much different than when experiencing them in a trade. Actually, it doesn’t even come close.

Getting that “OMG I can’t wait for next month!” Soap Opera feeling!

Of the four I’ve listed here, I think this last one is probably the most important (although it is very closely related to the Cliffhanger thing). For me, it’s the most important factor in deciding whether or not to wait for the trade. I ask myself, as many of you probably do, “Can I go more than a month without reading about BLANK?!?” If you answer “NO!”, then you obviously have a great monthly in your hands!

With the pretentious explanations out of the way I present to you, in no particular order, my “Top Ten Comics That Work Best as Monthlies”:

ACTION COMICS by Geoff Johns & Gary Frank

I could NEVER read this comic in trade; I just love the characters too much! And the cliffhangers are the epitome of punch you in the face. There haven’t been many done-in-ones in the Johns run, but that’s okay, since at least half the comics on this list barely utilize that comic book storytelling device. But Johns does love the sub-plots, wherein he writes some of the best (or, THE best) character moments in comics. CONS: More done-in-ones would be nice.

AMAZING SPIDER-MAN by “The Spidey Brain Trust”

With the exception of the current arc, “New Ways To Die”, Brand New Day has been nothing but 1-, 2-, and 3-issue arcs filled with character, character, character… the Soap Opera mojo has been strong. Because of the weekly shipping schedule, the Spidey team has been using the last page splash to great effect. CONS: Actually, maybe there are too many characters? Sometimes it gets confusing.

CAPTAIN AMERICA by Ed Brubaker, Steve Epting & Luke Ross

All of the above? Without all the little Bucky character stuff, I would not be enjoying this book as much as I am. It’s funny, but to me, most issues of Captain America feel like single issue stories set in an epic tapestry whose true significance won’t be seen ‘til Brubaker ends his run. It’s one long, ongoing story that excites me month in and month out.

DEADPOOL by Daniel Way & Paco Medina

We’re two issues in and I’m in love. For now. Plot? What plot? If you’re looking for a story, you’re in the wrong place, duder. This is all about Deadpool. That’s it. Do you need to read issue one to understand issue two? Hell no! Enjoy the funny!

DETECTIVE COMICS by Paul Dini & Dustin Nguyen

Current master of the 1- or 2-part story (yeah, yeah, I know the RIP tie-in breaks the rules). Reading Detective for the last two years I remember more about Bruce sex life (obv lack thereof) than I do the details of any of the stories. And to me, that’s awesome writing. Dini has made Bruce likable. This is new, folks. Bruce Wayne as an actual character in comics? Not since pre-DKR, I would think, have we seen the identity of Bruce Wayne written as a real character. Ah no, I disagree with you, Morrison’s Wayne is a flimsy piece of cardboard. Maybe he had something at the beginning of his run, but fleshing out Batman’s alter ego took a back seat to RIP setup long ago, maybe around the time Adam Kubert left the book. Anyway, yes, Dini isn’t writing Batman, he’s writing Bruce Wayne as Batman. And there is a difference, and that difference is quite refreshing.

FANTASTIC FOUR by Mark Millar & Bryan Hitch

The character stuff is lacking, but the sub-plots, cliffhangers and OMG moments make this a top of the stack must-read. Here’s a recent review that reads more negative than it actually is.

GRAVEL by Warren Ellis, Mike Wolfer & Raulo Caceres

The way the current arc is framed, it works wonderfully as a series of single issue stories filled with scenes exploring the character of William Gravel. Oh, you know what? Thank God Ellis finally got around to fleshing this guy out. Gravel started life as a boringly hollow SAS thug who starred in a series of idea-driven minis. In those minis, there was never anything particularly exciting or compelling about the Gravel character and the fact of the matter is, I probably only read them because they were written by Ellis. Now, under the watchful eye of Mike Wolfer, I really grown to like this guy and each month I can’t wait to read Gravel’s next adventure. Shocking. That’s good stuff, brother.

HULK by Jeph Loeb & Ed McGuinness

Heh. I really do love this book. Honest. HA!

INVINCIBLE by Robert Kirkman & Cory Walker

Ever since the #51 reboot, this book has been one of the most anticipated monthlies in my stack. LOVING IT… happy now, Bruce?

JACK OF FABLES by Matthew Sturges & Bill Willingham

Awesome title character? CHECK!
Outstanding sub-plots? CHECK!
Cliffhangers? CHECK!
SOAP OPERA?!? TRIPLE CHECK!!!

Bruce Castle Presents: The Man of Steel!

All Star Superman #12 (*****)

It’s hard to review this comic without gushing about it for several paragraphs. I think we all knew three years ago that Grant Morrison and Frank Quietely on a Superman series sans continuity would be good, but did anyone think it would be this good? This is the best Superman comic I’ve ever read. Everything that Superman is has been conveyed in this series. This is why I love Grant Morrison and Frank Quietly. No matter how good their previous work has been, they always raise the bar. It’s hard to believe that’s possible I know, but I think it’s true. This may be Morrison’s best comic. This is Quietly’s best comic. I can’t recommend this comic enough.

Action Comics #869 (*****)

Take a look at that cover. Superman and his father drinking beer while leaning on a gate. Superman’s wife and mother watching from the porch. America’s heartland in the background. How much more American can you get? But this isn’t the cover of the comic I’m holding. Something’s changed. The beer brand has been altered to a dismal label that reads “SODA POP”. Really?! I’ve talked about this enough, but I just wanted to let you all know that this comic was delayed a week because of this. I think the main reason why is because of All Star Batman and Robin’s faux pas, but I’ll talk more about that later. This was another great issue. I’ve always liked Supergirl. She’s one of the most poorly handled characters in comics, but she’s written brilliantly here. This issue is particularly remarkable because a few of our questions are answered. Why is Supergirl in this comic? Find out in this issue. Why have the Daily Planet employees been getting a lot of screen time lately? Find out in this issue. Why are there about to be a lot more Kryptonians running around? Find out in this issue. In addition to all of that, Geoff Johns and Gary Frank still bring their A-game. Johns’ writing is wonderful and Frank’s art is superb.

Bruce Castle Presents: The World’s Finest

Action Comics #868 (*****)

This arc continues to amaze me. After only two pages I was laughing my head off. Then things got serious. Geoff Johns makes both work superbly. Like All Star Superman, this book is a perfect example of how a Superman book should be. It’s so well put together. Both Johns and Gary Frank are at the top of their game. There is a lot of fighting, but the action sequences never get tiring. This isn’t intricate or particularly original, but every month it’s incredibly entertaining and a hell of a good read. I love this book.

Batman #679 (****1/2)

First off, I want to commend DC and Grant Morrison for being so brave. I’m sure I don’t have to tell you about The Dark Knight’s popularity. I’m sure that popularity is leading several people to wander into their local comic shop and while they’re there, I’m sure several of them are purchasing this comic. I was originally going to write “if they’re 12” but really, all of those people who read this book will be disappointed. This is a terrible “jumping on point”. I also admire Grant Morrison for having the cojones to write this, especially given the time of release. Having said all that, I really like this story. Batman RIP is very demanding. It requires much patience and an open mind. If you’re looking for a standard Batman tale look elsewhere, but if you can deal with the aforementioned demands, you will be rewarded with a great story.

Foilball’s Review Roundup #36 – OMG IT’S COMIC-CON WEEK!!!

–which means, Billy is gonna be too busy enjoying the convention in San Diego to bother posting a new “Origin Stories” or “Planetary Series Review” this week, in fact, he’s almost too busy to write this Roundup! Not really, although UPS sure was cutting it close this time (stupid UPS always rescheduling my deliveries). Anyway, I got this, and then a Spoiler Review planned for tomorrow and then… I’ll see you again on Monday!

Action Comics #867 (*****)

 

I LOVE THIS BOOK!!!

  

THE ENTIRE ARC SHOULD BE FILLED WITH STUFF EXACTLY LIKE THIS.

Final Crisis: Requiem #1 (**)

The art is amazing, the story, not so much. First, let me explain that I’m not even looking at this as an FC tie-in, despite the cover treatment and what Dan Didio would have us believe. I think the only fair way to review this book is to judge it on its own merits since if we take into account the events of Final Crisis, this book is almost completely contradicted. Like I said, the art was phenomenal. LOVED IT. The story, on the other hand, was wordy and then boring as all hell. This book is really split into two chapters. The first chapter is corny/cheesy and borders on self-indulgent fan-fiction. The series of panels detailing the Martian Manhunter’s heroic efforts to thwart his death by manipulating the minds of the super-villains was silly and reeked of desperation on the writer’s part. “Oh man! How can I make Manhunter as cool as possible and satisfy the whiners?” Overwritten, overstated, overdone… my steak is burnt! If you can get past all that, and oh boy does the art help, you move into “Chapter 2” wherein the entire history of the Manhunter is read aloud by his closest friends. Um, is this what I paid for? An illustrated Wikipedia entry? No thanks. The only part of the book I liked came right at the end, what a surprise, when Batman places the choco on the Manhunter’s casket. It was an authentic moment in a book filled with posturing and simulated displays of grief. It made me smile. The rest of the book made me cringe.

The Walking Dead #50 (*****)

Five stars for Walking Dead? I must be losing my mind! Okay, allow me to ramble… so, this did not read like an issue 50, but I really, really liked it. Here’s why: Rick’s son Carl is finally, finally, finally a REAL boy! He’s got character! He’s interesting! All of a sudden! Out of the blue! But wait, not really. Kirkman’s been driving toward this all year. All that prison stuff, the carnage, death and destruction? It’s all been leading to this moment, the moment where Carl just loses his shit. Despite his gross lack of “character” talent, Kirkman manages to write a solid character piece. I know. You disagree. You think Kirkman’s strength has always been his character stuff. Well… you are wrong. His character writing has always been the weakest part of his writing. See Ultimate X-Men and previous issues of Walking Dead for ample examples. It’s in plot and storytelling that he truly excels. See final arc of Ultimate X-Men and previous issues of Walking Dead for ample examples. So, to me, this issue shows great promise for the rest of this series, or at least the next couple of issues. Kirkman has Carl react to the recent slaughter of his family in a very real/visceral/believable/relatable way. All the things that Carl expresses in this issue feels like what a kid in the real world would express if put in the exact same position. I love that Carl finally voices his doubts about his father. He doesn’t trust his father to protect him anymore. Hell, the guy’s missing a hand! And as Carl reflects, his father couldn’t protect his mother, his sister or the rest of the group since, you know, most of them are all dead now. I feel like Kirkman sat down with this script and really wrestled it into something powerful, something touching. I can imagine him agonizing over every line Carl utters, trying to figure out the best, least corny way to get across the feeling of total loss that the boy is experiencing. I loved it. It didn’t feel like an issue 50, but I still loved it. Bravo, Kirkman, but don’t get lazy. Don’t fall back into old habits. No more throwaway “hey-how-are-you’s” or runaway expository monologues. Write good dialogue and build good characters. Build on the fresh start you’ve carved out for yourself. Build the epic zombie story of awesome that you’ve always dreamed of. If you can do that, I can guarantee you at least one loyal reader for the next 50.

Oh, and not that I cared one way or the other, but the good men at DCBS thought enough of my massive ordering skills to toss me a copy of the Erik Larsen variant cover. Thanks, guys.

Quick Hits:
• Buffy the Vampire Slayer #16 (***): And then Joss Whedon returned and the book took a serious nose-dive in quality. Sad, sad times. I’m really excited about this “Fray” crossover, but after the awesomeness that was the Drew Goddard arc, the first part of this story left me cold. Like a dead body, or a recently turned suck-head. Yeah. Heh.
Captain America: White #0 (***): I disagree with Bruce Castle’s review of this book. I thought the story provided was adequate and the extra pages, Cap sketches and an interview with the creators, were more than satisfactory. But, I’m the biggest Cap fan I know so I may be biased.
Mighty Avengers #16 (***): This was fine, not the best SI tie-in, but fine. I have no idea what Bruce Castle was bitching about. Elektra doesn’t look old. There isn’t much dialogue, but hell, Elektra doesn’t normally say much, so, what the hell did you expect?
Ultimate Origins #2 (***): Um, it was okay? Nothing truly memorable here, but I do think it’s one of the best retelling of the Captain America origin ever written, if that counts for anything.
Young Liars #5 (*****): Um, Danny gets his dick sliced off?? NUFF SAID!!!

Bruce Castle Presents: American Icons

4 stars = Stop reading review and go buy now!!!!
3 and a half stars = Great issue and make room on your trade shelf someday soon
3 stars = Recommended and maybe even trade worthy
2 and a half stars = Recommended
2 stars= Not the best, not the worst, not recommended
1 and a half star = Terrible issue and vocalize your disgust at your next social event
1 star = Awful awful awful and you may want to consider dropping this title
0 stars = Next con you attend where the writer and/or artist are present you should throw this issue in their face

Action Comics #867– This is part two of the Brainiac arc from Geoff Johns and Gary Frank. Frank is still knocking the artistic ball out of the park. We’re still getting that old school sci-fi feel to the book and he even gets to draw Supergirl this time. The emotion his characters convey is astounding! It still seems like a simple story to me, but it’s simple and sweet. Perhaps I’ve been reading too many books that feel like you’re standing at ground zero in some major disaster. I’m looking at you Final Crisis. It’s nice to get a simpler tale filled with seemingly real characters that emote and communicate while still having the time to unfold a story. We get a bit less humor in this issue and more action. It’s a fair trade, but I do admit I certainly do enjoy some humor in my comics. There are a few pages without dialogue, but the issue ends on a cliffhanger. The story is being told a bit slowly, and at first I contemplated whether the content was worth the price of admission. But after reviewing it I found more than enough moments that informed me, more than enough stunning panels, and more than enough enjoyment. I definitely enjoyed this book.

3 and a half stars

Captain America White #0

I’d like to first if I may, comment on this issue’s content and price. It’s a bit odd to see an issue 0 priced at 3 bucks. In fact, this book was originally supposed to be priced at 4 bucks with more packed in there. I currently hold in my hands an issue that contains 17 pages of story and 15 pages of an interview with Jeph Loeb and Tim Sale and some original sketches of the book’s covers for all 6 issues. We get about 5 or so pages less than a usual 3 buck comic and actually one page more than we get in the one dollar Conan issue 0. But we also get 15 pages of “extras”. So just to inform you guys, if you’re looking for story in here you may be a bit disappointed. If you like reading interviews and looking at sketches, then you’ll be all good. As far as the actual story in here, it was pretty standard stuff. It was a decent origin setup and actually covered a lot of time at least in what little pages there were. I thought that most of the series was going to be about this stuff. So it gives me hope that maybe we’ll get quite a lot of good stuff in a full-size issue. The very last page of this comic was a bit disappointing. It seems issue 1 isn’t coming out until winter. So why the heck are we getting this like 4 months or so ahead? That was a bit weird to me. Tim Sale’s art looked pretty good. It’s still his usual unique style, but it looks aged and fits well with this 40s yarn. Jeph Loeb’s writing isn’t as bad as people may expect either. It was a more than adequate book and I actually did enjoy the interview stuff. Still, it seems a bit too pricey.

2 stars

Invincible Iron Man #3– I think I’m really warming up to this now. The first issue was a bit shaky and the second issue was really good, but I think I’m really starting to love this stuff. The story is a bit weak. We’ve seen the AIM splinter groups quite a lot and the villains aren’t all that menacing, but there is still a lot to love. It really feels like a true Iron Man book. The dialogue is snappy and the characters are all handled with care. We may not agree with their actions or beliefs, but we understand them. I think Fraction is doing a great job grasping the tone of the highly successful Favreau movie, while still telling his own story in his own style. This is the perfect book for those who either love Iron Man or found yourself enjoying the movie and feel like stumbling into your local comic shop ready for some stories about the Golden Avenger.

3 and a half stars

Iron Man Legacy of Doom #4

And so ends the tale that was old-school, zany, well-written, well-drawn, and above all else fun! I loved the first two Doomquest arcs. They are probably two of the best Iron Man stories in my opinion. I feel that Iron Man and Dr. Doom are two of the best Marvel characters and it was fantastic to see them together involved in a great story. I was hoping that this story would live up to its predecessors and would be able to stand proudly adjacent to that Doomquest hardcover on my shelf. I think that mission was accomplished. The only complaint I have about this book was the somewhat goofy villain, but then I remembered that this is an old-school tale and we tend to forget there was a lot of zany villains in our superheroes’ past. He still serves as a device to get the two armor glad individuals to stand together and fight side by side against overwhelming odds. These two iconic characters are treated with the best of care and their most admirable qualities truly shine. We are reminded of Doom’s moral code and how at times he isn’t that bad of a guy. And it’s always awesome to see a bad ass fighting on the side of the angels. We also see Tony, a character who is at times morally compromised especially as of late, demonstrate an act of true nobility despite being doubted. I’m a big fan of Iron Man and it’s nice to see him act like a hero again.

4 stars

Review: Action Comics #866

It’s no secret I love Geoff Johns. It’s no secret I love Superman. What some of you might not know is, I also love, love, love the first two Superman films. I know, me and everyone else. But still, it needed to be said, I think, in order for you all to truly understand how much I love this book. Bruce wrote up a nice review of it last week that can be found here. He used a lot of words to describe the book so I’m going to rely on pictures, because that’s what I do.

This reminded me of the brain bug from Starship Troopers or the alien from Alien. That is to say, it was scary. When has Brainiac ever been scary? Why not, right?

Oh noes! They bees steeling yur sitties!!! Told in flashback, it was really cool to see an update on the “Bottle City of Kandor” idea.

Geoff Johns is a master. I know the guys on The Pull List thought this scene was cliché and maybe unnecessary, but I loved it and found it completely necessary and is in fact my favorite section of the book. It probably has nothing to do with the plot and everything to do with strengthening Superman’s supporting cast. I think it succeeds admirably, despite clichés, much in the way that Brand New Day has successfully revitalized the Spider-Man cast.

Now it’s Gary Frank’s turn to be a master. The Chris Reeve Clark Kent is perfect, not creepy. Perfect.

 

In case you need context: Clark burns this blowhard’s chair leg in order to serve him up fresh. I mean, you don’t talk to his woman like that. Did this moron not watch Superman II?

That looks painful, as evidenced by the pink WHAMM! Why pink?

Superman really is a dick. Ah, but there it is. It’s no secret. Geoff Johns isn’t writing DC comics continuity Superman. He’s writing Superman movie continuity. I never though I’d say this being the huge continuity whore that I am, but this is the best thing to happen to Superman comics since ever. They have never been this good… excepting Grant Morrison’s All-Star Superman, of course.

See, this moment is so cheesy. It’s total movie cheese! You remember this scene from the Superman movie. It’s there for the coolness factor and that’s it. There’s no way Clark could actually get away with changing clothes in front of a room full of reporters. But, it works damn it. It fricking works because Johns and Frank are just that damn good.

Another beautiful reminder of why we believe a man can fly.

The funniest moment in the book. Yes, I laughed out loud. Loudly.

SO COOL!

The issue ends with a shot of a drooling Brainiac waking up. Okay, my knowledge of the history of Brainiac isn’t what it should be, so I’m really not sure where this story is going or which Brainiac that is. Maybe that’s a good thing. Either way, I’m more than a lot excited for the next issue as this was a great introductory issue to what could be another fantastic arc from Johns and Frank.

Review: Action Comics #866

SPOILERS!!!

Well, I recently dropped this series because I was trying to cut back. I hopped back on board because this is supposedly building to a Superman event which piqued my interest. And I was reminded by Billy that after All Star Superman ends in a few months, I won’t be reading Superman anymore. So what did I think of this issue? As much as I’d love to give Billy crap for recommending this to me. I can’t. It’s not really because of Billy though. It’s more because of Geoff Johns. This guy could take my least favorite character and make me love him. He has such a talent for making old characters iconic again and makes you question, how did I ever dislike this character?

This issue is the first in an arc about Brainiac. It’s penciled by Gary Frank who does a great job. You really get an old school sci-fi feeling out of the book that is perfect for Brainiac. Not a whole lot happens in this issue. That’s ok because there is enough to make you wanting more. There are also plenty of moments dealing with the characters that make you laugh and feel all warm and fuzzy inside.

The highlights include an opening sequence on Krypton where Brainiac extracts Kandor. General Zodd and Ursa are also there which is cool. We also get a hilarious moment with Catherine Grant and Clark that you will just have to read. There is an ominous moment with Ma and Pa Kent. I hope nothing bad happens! The issue ends with a beautiful splash page of the inside of Brainiac’s ship and an intriguing moment with Brainiac.

It’s not the most complex story-telling I’ll admit. If you want that, go read Final Crisis. But this is still some great comics!

3 and a half stars out of four