I read 21 comics in April, and these were the best.
I read 21 comics in April, and these were the best.
I read 20 comics in February, and these were the best.
I read 19 comics in November, and these were the best.
5. Astonishing X-Men #32
Yeah, that’s a badass sentinel, a badass, brood-shooting-from-fingertips sentinel, the bastardization of Beast’s theoretical research. It’s Ellis being Ellis, writing pitch-perfect X-Men. Each issue is episodic, building a plot as it goes. This chapter involves the aforementioned sentinel, with lines like, “We don’t need weapons. We have science!” It’s glorious fun.
4. Fantastic Four #573
Hickman’s Fantastic Four is even better than his Secret Warriors? How’d that happen? But it’s true, even when Dale Eaglesham takes a break, and we’re left with a “filler” issue. Neil Edwards fills Dale’s shoes, and it’s a fine fit, with Edwards’ post-Bryan Hitch style and Paul Mounts’ colors, you’ll hardly notice the difference. But Hickman’s distinguished voice is the star here, penning a done-in-one adventure that could’ve easily sustained a four-issue arc. Hickman plays with, and adds to, Millar’s toys, exploring a black hole-ravaged Nu-World. This is a dense, grand adventure, and the new letters page, hosted by Franklin and Val? Absolutely adorable.
3. Invincible #68
The regular art team is back with a vengeance, allowed the opportunity to create Kirkman’s zany, new Dinosaur villain. This is about as playful and unique as villain dialogue gets. Kirkman then continues to show off his dialogue skills when he gives Atom Eve’s father the scariest monologue Mark could ever imagine, concluding with one hell of a funny sight gag. The issue concludes with a few classic Kirkman twists. All in all, this is one hell of an Invincible issue.
2. Hellboy: The Wild Hunt #8
Another Hellboy chapter concludes, and Alice sums it up best, “Well, I didn’t see that coming.” Mignola embraces Hellboy’s entire mythology here, Alice herself being the baby from the beloved “Hellboy: The Corpse.” What occurs within these pages has been a long time coming, and it unfolds unpredictably, yet resolves with the doomed conclusion we all knew was coming. Every major Hellboy player progresses, even poor Gruagach, who’s almost as tragic a character as “Big Red” himself. A stunning effort from Mignola and Fegredo.
1. Detective Comics #859
Since Rucka & Williams’ run began, almost every issue of Detective Comics has made my “Best of the Month” list. This issue is the best of the run, so it’s only natural that Detective finally tops my list. We’re still taking a trip down Kate’s memory lane, this issue containing another episode of her life. We learn of Kate’s rise and fall at West Point, her utter loss of purpose, how that leads to trouble with the love of her life, and what finally makes Kate’s life whole again. And there, making it all epic poetry, is Williams and Stewart. And as you can see in the above scan, when Kate’s Mazzucchelli-styled life clashes with Batman’s rich, painted aura, it’s beautiful and profound.
The end of the year is coming fast! I read 17 comics in October, and these were the best.
5. Detective Comics #858
JH Williams III, arguably the best artist in the biz, and Dave Stewart, arguably the best colorist in the biz, grace Detective Comics’ interiors. Those two are literally a dream team. Yes, Rucka can’t quite produce a script that can match their ability, but who can? Morrison can’t write everything. This issue dips a toe into Kate’s origin, building off of last arc’s twist. Kate’s story is simple and adorable, which spirals into terrible tragedy. Rucka’s writing is strong, reminiscent of his Queen & Country days, but it’s the aforementioned dream team that really gives this issue an emotional punch.
4. Hellboy: The Wild Hunt #7
After last issue’s startling revelations, The Wild Hunt is steamrolling towards its conclusion. This series has indeed changed Hellboy. Hopefully, this doesn’t mean the series is ending. Fegredo’s Hellboy is strong, as always. He’s with Mignola every step of the way, as this issue brilliantly illustrates the core nature of Hellboy’s character. He’s always trapped in a cyclone of destiny, fighting with every breath to do good.
3. Invincible Iron Man #19
As the solicitation reads, “Everything ends.” At last, Fraction’s year-long epic concludes. Unfortunately, Larroca is still around. So, this issue doesn’t look great, but only someone like Larroca could render a “year-long epic” in less than a year. With this oversized culmination, Tony’s heroism shines bright. He spends most of the issue lumbering around like the Hulk, with even less brainpower. And when he utters his last words of the story, we cheer.
2. The Walking Dead #66
The Walking Dead doesn’t have many two-page splashes, but when they’re used, they make for some of this great series’ best moments. Besides the general awe of Adlard’s work, and Rick’s terrifying words, “Hold him down.” What makes the image so effective is the shading of Rick’s left eye. Remember this guy? He’s the dark mirror of Rick. So, whenever Rick’s a bit of a bastard, I suspect we’ll see his left eye shaded a bit. Besides all that, this issue concludes the “Fear the Hunters” arc, Carl confesses, and another character dies. That all makes for one of the strongest Walking Dead issues of the year, if not the best.
1. Dark Reign: The List – Wolverine
Yeah, done-in-one stories rule this format, especially when they’re produced by Jason Aaron and Esad Ribic. Aaron, who channels the humorous, kickass writing you can see in his Ghost Rider. And Ribic, who abandons his usual, painted style in favor of kinetic linework, which captures the insane energy of this story perfectly. Aaron loves Grant Morrison. So, when handling his characters, Fantomex and Noh-Varr, it’s a labor of love. Aaron insisted that he wasn’t attempting to write like Morrison, but this is the best treatment these characters have received, since Morrison first wrote them. This comic is tons of fun!
I’m down, but not out!
Blackest Night #2
I was right there with Lebeau on the first issue, and you can find a bigger, better review of this issue from him. Johns definitely decreased the needless exposition this time around, but it’s not enough. This event is still moving at a dead snail’s pace. He spends too much time relishing in ghastly, deceased heroes terrorizing live ones. However, you can still find scenes to enjoy here, especially if you’re already fond of Johns’ particular brand of fun. Nightmarish sharks devouring Atlanteans here, a two-page, vertical splash of a resurrected Spectre there. The most impressive element of Blackest Night so far has been the images rendered by Ivan Reis. He’s officially a superstar.
The Boys #33
Why is John McCrea drawing this? Shouldn’t he be drawing Herogasm? I’m not complaining. Carlos Ezquerra’s art has been sloppy the last few issues, and while McCrea is no Darick Robertson, his work here, and especially on Herogasm, is more than satisfying. Although, he’s still not the right artist for the job. This is a dark, violent arc of The Boys, and McCrea’s images are too cartoony. Ennis’ writing, however, is still top-notch. This issue was a blast. Watching Butcher systematically take down the Boys-filtered Avengers was very entertaining. The fact that this arc is so action-heavy makes it all the more upsetting that Robertson is absent.
Hellboy: The Wild Hunt #5
It’s nice to have Hellboy back. The reason for the delay was Duncan Fegredo’s, and the wait paid off. I re-read the previous four installments before this one, and Fegredo’s work is simply stunning. The Wild Hunt has featured a fight in just about every issue. It makes each chapter stand on its own as an episodic action series. Fegredo draws the hell out of the battle scenes, while Mignola crafts a menacing threat for Hellboy in the background.
Ultimate Comics: Avengers #1
Off the heels of the biggest event in the Ultimate Universe’s history, at the start of a brand new status quo, is this issue exposition-heavy? @*&# NO!!! In true, Millar style, he kicks this series off in summer blockbuster fashion, featuring an extended fight scene, and a last-page shock to punch you in the face! As I mentioned with The Boys, if a comic is action-heavy, you have to provide pretty pictures. Well, Carlos Pacheco, in his glorious return to Marvel interiors, is just the man to provide such pictures. He handles all of the action, including some tricky helicopter scenes, with professional ease. Looking for pure, pop bliss? You got it!
The Walking Dead #64
Dale’s situation provides a wickedly funny beginning. Then we get a typical and sentimental revelation from Dale’s lover, Andrea. I say typical because we’ve seen a lot of it in The Walking Dead, but it is a natural reaction to grief, and we’ve sure seen plenty of that in this series. The rest of the issue is mostly spent planting seeds for future events that culminate in a tremendously badass moment for Rick. Another enjoyable issue, for sure, but this is mid-arc. So, it does suffer from the necessary plot-building.
Uncanny X-Men #514
We’re two issues away from this crossover’s conclusion, and I don’t think it’s the event anyone was really expecting. This isn’t mindless Dark Avenger-on-X-Men action. No, with Matt Fraction at the helm, we’re getting a highly developed and well thought-out story that presents realistic situations for these characters to deal with. The downside to all that is that we’ve had more set-up than payoff, but with an oversized, Mike Deodato-drawn conclusion in the near future, I’m sure we’ll get the carnage that we crave soon enough.
Ultimate Fantastic Four #59 (***)
It’s depressing to read this book and write about it. This should’ve ended after Millar left. The story is average and the art is average. But I don’t blame the creative team much. This is another Ultimatum tie-in, but again you don’t have to read it. The only important thing that MIGHT happen next issue is that Johnny comes back. But who didn’t see that coming? This series is just wandering around waiting to die. The trigger is pulled next issue and sadly, I’ll be there.
Conan the Cimmerian #6 (***1/2)
Wow! Not much happened, that’s a first for this book. This is one of those middle of the arc issues and for some reason, it’s taking place in the penultimate chapter. I don’t know why. It was still fine enough. Conan is back home. He sees his mom again. He spends some quality time with the girl he lost his virginity to. The stage is set for next issue. Even the Connacht story is mostly uneventful. Oh well, the writing and art is handled well enough that this didn’t bother me. And if I was reading this in trade, the fact that not much happened wouldn’t have even crossed my mind.
Walking Dead #56 (****) SPOILERS!
Has it really been five years? Good job, Kirkman! Anyway, I called it. Maggie is alive, baby! I’m a little bumbed, but Kirkman made it work. That’s what this issue is about. What happens when people think Maggie is dead? Tensions rise between the new and old groups and we continue to explore Abraham’s character. The big reveal is something we pretty much guessed already. This issue isn’t bad of course, but I have to tell you something, right? Here, I’ll end on a positive note. The last issue came out three weeks ago! Keep the less than monthly schedule coming, Kirkman!
Batman #682 (****1/2)
So how do you know if you’ll like this issue? One question. Do you like Morrison’s previous Batman issues? Once you answer that, you’ll have a pretty good idea of how much you’ll enjoy this tie-in. And it is, as you can see in that creepy cover, a Final Crisis tie-in. Is it an important tie-in? It’s hard to say. I don’t think we’ll know until Final Crisis #6, the “Final Fate of the Dark Knight”. It definitely references Final Crisis. In the most non spoilery way, what happened to Batman in Final Crisis? If you know that, you can guess what this issue is about. Wow, I asked you a lot of questions, didn’t I? I really enjoyed this issue. It’s another zany tale involving symbolism and Morrison’s retelling of some classic Batman stories. The opening page is darkness followed by a close up of Bruce’s face and it is scarred. He’s in a military uniform as well. Isn’t that a cool first image after RIP? Alfred picks up the classic bat that flew in through the window when it’s small. By the time he throws it in the trash, it is huge. That’s Bob Kane’s Batman transforming into Frank Miller’s Batman in three panels. I don’t want to spoil anything, but hopefully you have enough information to decide to buy this or not. That’s what I’m here for.
Hellboy: The Wild Hunt #1 (****1/2)
This is the beginning of the longest Hellboy story ever. Well, maybe not. I just found out that the next few issues (Maybe all of them except this one) will contain back-up stories that will shorten the length of the main story. A bit of a bummer, but oh well. 2008 was (That’s right, it’s over) a great year for Hellboy. A new movie (I really enjoyed it, didn’t you?), a new three issue series, a new Mignola drawn one-shot, and the start of an eight issue series. I’m a happy man. This was a fantastic start. I should probably rate it higher, oh well. Unlike this year’s earlier Hellboy tale, The Crooked Man, Wild Hunt should move Hellboy’s journey forward. This is a first issue, so we get kind of a crash course on Hellboy’s history and that’s fine. The conclusion was the best part. A premise is established and then things turn upside down. I want to know where this is going. I have no idea and that’s a very good thing.