Wolverine #70 (*****)
Okay, this story isn’t going to change the medium. This issue features a “twist” that I saw coming and you probably will too. But that doesn’t stop this from being one hell of a good time. This book rarely comes out (We get the next one in March I believe), but every time it does it’s on the top of my stack. This thing isn’t even in continuity! I should be waiting for the trade! But I don’t care. I experience so much joy whenever I see that “Old Man Logan” tag. Who knew the elderly could be so pleasing? As I said, the Shyamalan twist isn’t that great, but Millar executes it brilliantly. Better yet, he doesn’t dwell on it. The story progresses and we even get a cool last-page-reveal. Of course, as I’m sure even Millar knows, this book wouldn’t be anywhere near what it is without the art team. Steve McNiven, Dexter Vines, Morry Hollowell, I salute you. I’m sure you fine people are responsible for this book’s delays but take your time. I’d rather have Wolverine out twice a year than a rush job. If you aren’t reading this book now, you’re missing out on some wonderful euphoria. Oh well, you guys can still enjoy the trade that comes out next year. Oh, and I love the chosen puppet master behind this issue’s scheme.
Kick-Ass #5 (****)
So, do we all agree that the name, Mark Millar, is synonymous with lateness now? Good God, it’s been like five months since the last issue, right? I had to reread the previous four to get up to speed. Oh well, I can’t really hate this book too much. Although I will say that the bit Millar wrote about the comic coming before the movie is bullshite. This issue’s delay is supposedly due to JRJR’s involvement with drawing the animated movie sequence, but I suspect that isn’t the only thing this new movie has influenced. So, last issue we were introduced to Big Daddy, the character Nicholas Cage is playing. Now we’re introduced to the Red Mist, the character McLovin is playing. It seems like the Red Mist gets a lot more screen time than he was supposed to. Anyway, let’s just say I’m really annoyed that the movie and the comic are being produced at the same time. As for the actual issue, there’s not much to say. If you have loved this book like me, then you’ll probably enjoy this. Millar provides some interesting and funny stuff and JRJR makes things pretty. Can we have the next issue a little quicker this time?
Green Lantern #36 (****)
Must I talk about the lateness in every damn review?! Is this the price I pay for quality? I guess, but what happened here DC? Wasn’t Shane Davis supposed to draw this? Then Doug Mahnke was shown as the artist on the DC website. And now that we actually get it, Ivan Reis is the on the book. WTF!? Shouldn’t Reis be working on Blackest Night? Oh well, Reis, as always, brings the goods. Seriously, I don’t care what you think of Johns, the pictures alone should do it for you. And boy does Reis get to show off this issue. We get to see the Red Lantern world, the Blue Lantern world and the birth of a Pink Lantern. And Reis isn’t the only one who deserves praise. Nei Ruffino, the colorist, also shines as you can imagine. Green, red, blue, he’ll have you wondering if you’ve picked up a Hulk comic by mistake. Hell, even the letterer, Rob Leigh, gets to have fun. That’s right, even the word balloons are outlined in green, blue, and red. This book looks fantastic and Johns continues to build his wonderful cosmic epic.
Justice Society of America #22 (***1/2)
And so Johns and Ross’ incredibly long epic concludes. Seriously, this has been about a year and a half in the making. Is it as good as it should be? No, but it’s an entertaining conclusion to a story with limitless potential. I think the main reason for my disappointment is the fact that I failed to realize who was writing my comic. This is Alex Ross and Geoff Johns, these guys live in the past. They, Ross especially, try to tell the same stories they loved as a child. This method is fantastic for kids, but will inevitably leave the rest of us wanting. This is our traditional battle finale. We’ve gotten all that sappy emotion out of the way which makes room for some big combat between the Gods and the men. The fighting ends after some humorous banter and demise of the JSA’s foe. Now we have to get rid of all that Kingdom Come nonsense. Again, KC Superman’s potential seems a bit wasted. Sure he punched a lightning bolt and all that jazz, but for so long he just seemed to blend into the background. Although I will say that Ross, who actually did draw some pages, did give the hero a fitting farewell. I think this review makes it seem like I disliked this issue, but I really did enjoy it. I liked the arc itself even more. Still, as I explained, I can’t help but feel a little sad.