Review: Criminal: Last of the Innocent #2

Part of the genius of Criminal that I’ve always underplayed in my reviews is the art of longtime Brubaker collaborator Sean Phillips.  The two work together flawlessly, and there’s a reason most of Brubaker’s best work was done with Phillips, but for the most part I’ve always given the lion’s share of the credit to Brubaker.  I can’t do that in Criminal: The Last of the Innocent.

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