Just about every issue of Morrison’s All-Star Superman would probably be a good fit for this column. With the exception of the Bizarro Earth two-parter and the two issue conclusion, every issue could stand alone as a fantastic single serving Superman story. There are two stories in the book’s 12-issue run, however, that deserve special attention in this regard: “Neverending” and “Funeral in Smallville”. For now, I’ll be focusing on All-Star Superman #10, “Neverending”, but believe me, I’ll come back for the other.
Hello again, read/RANT fans! Cal here. I know updates have been few and far between around here, but now that I FINALLY have a) an internet connection (well… kind of) and b) the ability to purchase comics, I hope to start posting a little more regularly.
I’m still working on a way to revamp The Unread Canon, to move the focus away from ongoing story-arcs and towards a more coherent look at some ‘classic’ books, but for now, I hope you folks enjoyed my One Shot colums (from the number of readers I got on the Astro City and Animal Man issues, I’d imagine you did). I’m going to ease back in, and the first part of that will involve starting up my looks at standalone issues of comics, some great, some merely okay, once again.
This, hopefully, is what my schedule will look like for One Shot this year…
6/12/11 – The Unwritten #5, “How the Whale Became”
7/10/11 – All-Star Superman #10, “Neverending”
8/14/11 – X-Factor #13, “Re-X-Aminations”
9/11/11 – Ex Machina #40, “Ruthless”
10/09/11 – Tales of the Slayers, “Righteous”
11/13/11 – Daytripper #8, “47”
As ever, any suggestions for future issues are more than welcome, and hopefully I’ll get more writing coming up soon!
I apologize that life has pulled so many of us away from the site, particularly given how exciting things have gotten with DC’s recent announcement – more on that later.
Glad to be back!
– Cal Cleary
BLACKEST NIGHT #1
Geoff Johns and Ivan Reis raise the dead in the most anticipated comics story of the year! Throughout the decades, death has plagued the DC Universe and taken the lives of heroes and villains alike. But to what end? As the War of Light rages on, the prophecy of the Blackest Night descends upon us, with Hal Jordan and the Green Lantern Corps at the center of it all. Continue reading
Better late than never, eh? This is my list for the top ten stories of 2008! Woo hoo! Now, before we get to all the fun of me voicing my opinions and you disagreeing with them, I have to get a few rules out of the way.
1. These are the top ten stories/arcs/whatever. Not comic in general, not trade, but best stories (What can I say, I’m trying to be somewhat unique).
2. These are stories that ended in 2008. They could begin at any time, but as long as they concluded in 2008, they’re eligible.
3. I tried to keep the list as diverse and reader-friendly as possible. I love certain writers, but it would be boring if it was three Morrison books, two Fraction books, etc. So a writer/artist will only appear once on the list. Same thing goes for characters. I’m not going to have a list made up of a bunch of X-Men comics or in the case of 2008, Superman books. Lastly (Sorry, #3 is a long rule), I tried to spread the love even when it came to companies. You will see Marvel, DC, and even indies on this list.
Wow, with all those rules, how did I come up with a great list? Well, I hope I did. Anyway, let us begin the fun!
10. Hellboy: The Crooked Man (Hellboy: The Crooked Man #1-3)
Written by Mike Mignola
Illustrated by Richard Corben
Publisher: Dark Horse Comics
I sound like a broken record. I’ve written for this site for about seven months now. In that time I have reviewed nearly every Hellboy comic. And over and over again I have to point out how wonderful Mike Mignola really is. It’s not just his art. He’s a terrific artist. What fascinates me more are his words. Though Mignola’s obsessed with the past, his comics constantly evolve. 2008 was a fantastic year for Big Red. A new movie that not only didn’t disappoint, it was better than its predecessor. A new comic actually drawn by Mignola himself, the start of the longest Hellboy journey yet and of course this little gem that I’m here to talk about. The Crooked Man, like most Hellboy stories, is deceptively simple. It’s difficult to express one’s love for Hellboy comics because they all have similar beats. Hellboy goes to some marvelous landscape. He encounters a mystical problem. He then beats the crap out of everybody until they fall down. But unlike most Hellboy yarns, The Crooked Man doesn’t take place in some faraway land. It’s set in deep Deliverance hick hell. It’s not about old artifacts or odd Guillermo Del Torro creatures. This is about the classic struggle between man and the devil. It’s about facing your fears and temptations. Hellboy is almost a supporting character for God’s sake! And of course who better to bring this horrifying masterpiece to life than Richard Corben. He’s a perfect fit for this book. The man is 68 years old and he’s still pouring his soul into his projects. This Hellboy tale is not to be missed.
9. Joker (Original GN)
Written by Brian Azzarello
Illustrated by Lee Bermejo
Publisher: DC Comics
Available here. Do you want to see the bloodiest and most brutal Joker story ever? This is it. Joker is a gritty crime graphic novel that’s all about the titular character through the lens of sanity, Jonny Frost. Lee Bermejo spent two years working on this project. This book looks perfect. And in a Joker comic that means the book looks like hell. Bermejo and Mick Gray share the inking duties. Gray has a softer look while Bermejo has a terrifying painted effect. I began to dread Bermejo’s inks as it meant something gruesome was ahead. Azzarello throws us into a mad dark world with realistic versions of classic Batman rogues. The Dark Knight does appear but he only says three words. This is a fascinating yarn and the fact that Bermejo’s Joker mirrors Ledger’s makes it all the more creepy.
8. The Walking Dead: Made to Suffer (The Walking Dead Forty-Three through Forty-Eight)
Written by Robert Kirkman
Illustrated by Charlie Adlard
Publisher: Image Comics
Collected here. The Walking Dead is a comic that suffers in this format. In fact, I even feel uneasy putting it here because it doesn’t really have arcs. Walking Dead is one giant story, but it deserves to be on this list. For several years it’s been one of my favorite comics for its character exploration in a brutal and harsh situation. Though this story does contain one of this series’ few blunders (The return of the character you see on that cover), it was undeniably excellent. Testing these poor characters once again, Kirkman created the most suspenseful story of the year. The amount of hell inflicted on these men, women, and children was unsettling and powerful. Clearly, this is a landmark in a fantastic monthly book.
7. Northlanders: Sven the Returned (Northlanders One through Eight)
Written by Brian Wood
Illustrated by Davide Gianfelice
Collected here. On the back of the trade (That’s only ten dollars! Eight issues for ten bucks is so awesome) there are quotes comparing this tale to Conan and 300. If that’s what you need to hear then I’ll agree with that comparison and even throw Braveheart into the mix. But really, this is the classic tale of the man born in the wrong time. It’s more than the modern language (You like the F-word right?) and evil uncle (That brings Hamlet to mind). Sven is a modern man trapped in a society based on dying with honor. Would you charge an army of one thousand if you were alone? I don’t think so. Yes, on the surface this is an enthralling adventure with Vikings, boobs and blood by the barrel full. But beneath the flare is a classic tale with a fantastic and unexpected conclusion.
6. Scalped: Dead Mothers (Scalped #13-17)
Written by Jason Aaron
Illustrated by R.M. Guera
Collected here. Dash Bad Horse and Chief Red Crow are incredibly intriguing characters even though they don’t have a lot to say. That’s one of Aaron’s strengths as a writer, he knows when to shut up and let his artist shine. Guera provides the usual rough style of art you’re used to seeing in these types of comics, but with a twist. It’s hard to put into words. You’ll just have to see it for yourself. Scalped, like Walking Dead, is an ongoing epic that’s hard to judge from arc to arc. But Dead Mothers is particularly amazing. And by amazing I mean heartbreaking. It’s hard not to spoil things, but Dead Mothers is about well, what do you think? Two people have lost their mothers and their murderers need to be brought to justice. But it’s so much more than that. Scalped is a crime western history epic filled with shocking twists and turns.
Written by Warren Ellis
Illustrated by Juan Jose Ryp
Publisher: Avatar Press
Collected here. I dare everyone to read issue #0 (It’s one freaking dollar) of this series and not pick up the trade. It will pique your interest. Heck, you may have even seen this comic on the news if your town is small enough. Though it may be deemed by some to be liberal propaganda, you must remember this is written by Warren Ellis. It’s much more complex than that. This series is also enriched by the amazing and detailed visuals of Juan Jose Ryp. Though the story may devolve into a big action blockbuster (It does have summer in the title after all), I doubt you’ll find another blockbuster more thought provoking than this.
4. Criminal: Bad Night (Criminal Vol 2 #4-7)
Written by Ed Brubaker
Illustrated by Sean Phillips
Collected here. I got into this book late, very late. I wouldn’t have believed it, but Criminal really is Brubaker and Phillips’ best work. I’m sure you’ve heard of this book’s general accomplishments, so that gives me the opportunity to talk about Bad Night specifically. The first volume (Coward and Lawless) offered crime stories that seemed familiar but were told well. Brubaker provided lovable baddies and established the mood and tone wonderfully. And as for Sean Phillips, there’s a difference between pretty art and art that belongs. One can be replaced and one can’t. Phillips belongs in the latter category. I can’t imagine anyone else on this book. Phillips’ quality continued in the second volume, but Brubaker stepped it up a notch. He began to tell more unconventional crime stories. Bad Night was his most experimental and his best to date. He demonstrated true noir. I’m not talking about the watered down crap you’ve seen in the last few decades. I’m talking about the gritty old-school, where every character is scummy. Bad Night is about lust, creativity, and obsession. Its finale packs quite a punch.
3. Punisher: Long Cold Dark (Punisher #50-54)
Written by Garth Ennis
Illustrated by Goran Parlov, Howard Chaykin
Publisher: MAX Comics
Collected here. This is the year that made all Punisher fans (And anyone who appreciates great comics) cry. Garth Ennis left the big scary skull dude. But still, even in the winter of Ennis’ Punisher years, he managed to produce some damn fine comics. In fact, Long Cold Dark and Valley Forge, Valley Forge are two of his best. Now, Valley may be a better story for those who read the whole series, but Long Cold is for everyone (Except maybe children, old people and the squeamish). The first issue is drawn by the legendary Howard Chaykin and the rest of the arc is cinematically rendered by Goran Parlov. This is fun, twisted, and full of no holds barred action. And I really do mean that. Barracuda (The big black guy, not the Heart song) returns and has a piece of Frank’s past with him. I won’t spoil anything, but it’s a hell of a plot device. Possibly the Punisher’s best villain finds a way to get under Frank’s skin. It’s a terrific and bloody ride.
2. All Star Superman (All Star Superman #1-12)
Written by Grant Morrison
Illustrated by Frank Quitely
Publisher: DC Comics
Collected here and here. Grant Morrison and Frank Quitely are phenomenal. These two Scots collaborate again and again and every time they produce pure magic. All Star Superman is the best Superman story. Some would say that this is the only Superman comic one would ever need. To me, every Superman tale actually improves because of this. All Star Superman breathes new life into a seventy year old character. But this is more than nostalgia or a Silver Age throwback. It’s a unique and fascinating tale that’s extraordinarily memorable. Superman and Lois kissing on the moon. A man playing cosmic fetch with his dog. Superman saving that kid from suicide. Earth Q, the world without Superman. It’s all so beautiful. So if this is my #2, what the heck is my #1?
1. Casanova: Gula (Casanova #8-14)
Written by Matt Fraction
Illustrated by Fabio Moon
Publisher: Image Comics
Casanova, that’s what. I do not put Casanova ahead of Morrison’s Superman lightly. I put much thought into this decision and in the end, Casanova’s (Or is it Zephyr’s?) charm won me over. This book is purely transcendent. From its cost of two dollars to the fact that every issue is packed with more information, emotion, etc. than most mainstream six-issue arcs (And I’m just talking about Gula. The first arc, Luxuria, was even denser). Casanova is genuinely groundbreaking. It won’t be as easy to recreate as something like The Dark Knight Returns which is why it will probably never receive the credit it deserves. And speaking of the Dark Knight, what sets Casanova apart from its genre defining (Or redefining) counterparts is its undeniable sense of fun. Casanova, on top of everything else, is funny! So please, each issue is only two bucks if you want the floppies (Which you probably should since each issue is filled with wonderful back matter from Fraction himself) and the first trade is a little more than ten dollars. Casanova is worth your time.
Incredible Hercules: Sacred Invasion (Incredible Hercules #117-120)
This was the best thing to come out of Secret Invasion. Well, it wasn’t a great new series, that was Captain Britain. But it was the best story with the words “Secret Invasion” on the cover. Incredible Hercules is a fun, humorous and refreshing comic. Sacred Invasion features the awesome God Squad! It also contains the most shocking Skrull reveal ever (That was ruined on the cover of the trade)!
Superman: Brainiac (Action Comics #866-870)
Superman had a fantastic year. Along with All Star Superman, Geoff Johns wrote three wonderful Superman tales. Superman: Brainiac was my favorite. Gary Frank’s art is worth the price alone. He captures all the sci-fi, horror, and emotion perfectly. Superman’s ensemble cast also shines here. And those last few pages are heartbreaking. It’s too bad I couldn’t get Geoff Johns on the list this year, but with Blackest Night coming up, it’s a safe bet he’ll make the list for 2009.
Thor: Ages of Thunder (Thor: Ages of Thunder, Thor: Circle of Blood, Thor: Man of War)
The best Thor story in years, it explores the Thunder God’s early years. Fraction delivers some giant-slaying fun. If you’re looking for a good time with Gods, Monsters, and lascivious Odin, this book is for you!
Thunderbolts: Caged Angels (Thunderbolts #116-121)
I love this run so much. Why did I put Black Summer on my list instead of this? Black Summer isn’t well-known, Caged Angels is only half of the story, and Black Summer has complete creative freedom.
X-Force: Angels & Demons (X-Force #1-6)
This was on my list for so long. I do love it and isn’t that cover awesome? I figured I could only use one for the honorable mentions and that is by far the best. This is the dark and bloody version of the X-Men. X-Force also gives us a few continuity surprises. Clayton Crain renders some stunning images.
So there it is. That took a lot of time, so much so that we’re already in the second month of the new year (Time flies). I think it’s a pretty good list. I’m sorry Marvel fans. There aren’t any traditional Marvel comics on my main list (Though Punisher and Criminal kind of count), but at least you have my honorable mentions. Other than that, I think I spread the love, right? 2008 wasn’t that great for the real world (In fact, it was pretty horrible), but at least the comics were good.
Action Comics #869 (*****): Another solid chapter in the reinvention of Brainiac arc.
All-Star Superman #12 (*****): So much needs to be said about this book, and I plan to, just as soon as I get my copies of the rest of the series back from Mandy. Expect a Series Review of this masterpiece by the end of the month.
The Amazing Spider-Man #572 (****): On par with the rest of the arc, but not even close to the ultimate Bullseye vs Spider-Man fight that Slott promised us. Too much hype, dude.
Bruce Castle (****1/2)
Birds of Prey #122 (**): I didn’t read it so much as look at the pretty pictures… and vomit.
DC Lebeau (Hated it!)
Captain Britain and MI:13 #5 (****): Blade, you son of a bitch!
Seventh Soldier (B+)
Daredevil #111 (****): I like her. And I definitely liked this. Matt Murdock. What a bastard.
Fables #76 (***): Holy Lord, how much did I hate reading this issue of Fables? Sure, I know Willingham is a hardcore Republican, but some of the dialogue in this issue almost made my head explode. Really, Snow White? Is that how you justify all this death? And this cliché anti-tech speech? LAME. Also, no one talks like this on their cell phone. Can we stop writing crap like this? Please? Question: what does it say about me that I agree with Geppetto?
Hulk #6 (****1/2): AWESOME!!!
Bruce Castle (*****)
The Punisher #62 (***): Even without comparing this to Ennis’ take on the character, I would still hate it. And it’s not that I hate all other versions of the Punisher, because I think Fraction’s version is great (until the plot started to suck ass).
Bruce Castle (****)
Robin #178 (***1/2): Okay. Fine. Meh. BLAH. It wasn’t bad, how about that?
DC Lebeau (Liked it!)
DC Lebeau (Liked it!)
Ultimate Fantastic Four/Ultimate X-Men Annual #1 (**): Way worse than the last issue. UGH.
Bruce Castle (****)
Ultimate Spider-Man #126 (****): I liked it. Plus, it made me nostalgic for a time when Nick Fury ran S.H.I.E.L.D. and the Ultimates were badass.
Bruce Castle (***)
Uncanny X-Men #502 (**): STAB MY EYES!!!
Bruce Castle (**)
The Walking Dead #52 (***1/2): Okay, with a side of losing interest fast.
Bruce Castle (****)
War Heroes #2 (**): I thought about scanning the penis page… but that would be crude. Get it?
Bruce Castle (***1/2)
All Star Superman #12 (*****)
It’s hard to review this comic without gushing about it for several paragraphs. I think we all knew three years ago that Grant Morrison and Frank Quietely on a Superman series sans continuity would be good, but did anyone think it would be this good? This is the best Superman comic I’ve ever read. Everything that Superman is has been conveyed in this series. This is why I love Grant Morrison and Frank Quietly. No matter how good their previous work has been, they always raise the bar. It’s hard to believe that’s possible I know, but I think it’s true. This may be Morrison’s best comic. This is Quietly’s best comic. I can’t recommend this comic enough.
Action Comics #869 (*****)
Take a look at that cover. Superman and his father drinking beer while leaning on a gate. Superman’s wife and mother watching from the porch. America’s heartland in the background. How much more American can you get? But this isn’t the cover of the comic I’m holding. Something’s changed. The beer brand has been altered to a dismal label that reads “SODA POP”. Really?! I’ve talked about this enough, but I just wanted to let you all know that this comic was delayed a week because of this. I think the main reason why is because of All Star Batman and Robin’s faux pas, but I’ll talk more about that later. This was another great issue. I’ve always liked Supergirl. She’s one of the most poorly handled characters in comics, but she’s written brilliantly here. This issue is particularly remarkable because a few of our questions are answered. Why is Supergirl in this comic? Find out in this issue. Why have the Daily Planet employees been getting a lot of screen time lately? Find out in this issue. Why are there about to be a lot more Kryptonians running around? Find out in this issue. In addition to all of that, Geoff Johns and Gary Frank still bring their A-game. Johns’ writing is wonderful and Frank’s art is superb.
Yesterday, All-Star Superman – otherwise known as Grant Morrison’s ASS – came to an end, finally. With the stated objective of telling the definitive Superman story, Morrison and artist Frank Quitely set a rather high bar for themselves, setting up against such classics as Alan Moore’s Whatever Happened to the Man of Tomorrow? and Alan Moore’s For the Man Who Has Everything and…uhhh…just, really, Alan Moore. With the last issue on the stands, we can finally look back at the series and ask: Did All-Star Superman make a mistake by setting the bar so high?
It cleared it.
Morrison and Quitely made sure to touch on as many aspects of the Superman mythos as humanly possible in a twelve issue series, with an issue featuring Lex Luthor, an issue about Jimmy Olson, a trip to the Bizarro Cubed Earth, and more. Many comic fans who aren’t reading the series have derided All-Star Superman as a Silver Age throwback, completely missing the point – to provide a continuity-free retrospective on the history of Superman, be it Golden, Silver, or Modern.
The book isn’t flawless, of course. The Bizarro two-parter can drag on, which is a shame given that it’s the only two-parter in the series, the rest of the book composed of a series of one-shots tied together by the central conceit of ‘How would Superman react if he knew he was going to die soon?’ But, beyond that, the book hits a variety of emotional highs and lows, has insane, epic action, and just in general manages to succeed.
It isn’t flawless, but looking back on the series as a whole, this is the only mainstream comic work that I imagine stands a chance of being mentioned in the same breath, 10 years from now, as Watchmen or The Sandman.
Final Crisis: Revelations #2
Final Crisis: Revelations is a great many things. It’s spiritual sequel to both Infinite Crisis and 52. A direct sequel to The Five Books of Blood. A tie-in to Final Crisis. Under a lesser writer than Rucka, this might be too much material to work into a 5-issue series, but it does well.
This issue is the first that feels like a ‘traditional’ tie-in, in the sense that it takes a standard character – The Question – and uses the current event to shake up that character’s status quo, introduce a new enemy based on the major event, etc…. The issue feels very traditional in many ways, but it’s still good. The long-needed introduction of an element of balance to the Spectre occurs, a major reveal regarding one of DC’s older villains, and a reunion of sorts between Cris and Renee in their new roles all keep the action rolling, but it’s the emotional core of the issue that makes it great. This is Rucka revisiting his old toybox, and it seems like he’s having a good time doing so.
The revelations of this issue all felt natural and needed, the action was engaging, and emotions ran high. All around solid, but nothing spectacular. A competent tie-in, and a strong issue on its own.
Secret Six #1
Everyone’s already said most of what needs to be said, but Simone really nailed it, here. The twisted humor and uncomfortable camaraderie of the Six are perfect, and the new villain is intriguing. All-in-all, a solid start to this new series. Hopefully, it’ll be around for a good little while.
Captain Britain and MI:13 #5
For anyone wondering if the quality of Captain Britain would keep up once the Secret Invasion tie-in ended, the short answer is: “Hell Yes.” Cornell and crew are now using the book to look at a variety of British heroes, so this issue sees cameos from more than one, of all calibers – from nobodies like Captain Midlands to bigger characters some people might not know were British, like Blade. The issue is fun and engaging, but it’s still set-up, and it leaves off with a frankly ridiculous cliffhanger.
Oh, Blade. You aren’t a team player.