Review: Nemesis #1

Mark Millar has made a career of trying to recreate, in increasingly colorful ways, Ellis’ brief run on The Authority.  This isn’t meant as an insult – The Authority set the bar for faux-edgy blockbuster-style action comics, and it set it high.  There are worse books to emulate.  Some of his work succeeded in tapping into that same zeitgeist; some didn’t.  But there’s one word that few people would use to describe Millar’s work, and that word describes the opening issue of Nemesis perfectly: bland.

Steve McNiven, who collaborated with Millar on the long-delayed Civil War and Old Man Logan, does raise the book up a bit.  The costume of the titular villain should be visually dull, but McNiven so inhabits Nemesis with relaxed confidence that the simple, all-white costume stands out in all the right ways.  The action scenes, disappointingly brief, are reasonably well-done, though McNiven displays a great talent for more widespread devastation.

Nemesis isn’t a genuinely bad first issue.  It’s got fine art and pacing, and a sense of confidence that’s rare for opening issue’s.  What it doesn’t have, though, is excitement.  Nemesis is billed as a super-genius, but Millar takes the easy way out – we first meet him at the end of what we’re promised is an elaborate plan, with everything working, and when next we see him… he is at the end of what has to be a pretty damn elaborate plan, with everything working.  There are no technical moments in saying how he kidnapped the President.  There’s little in the way of characterization or plotting, little sense of real danger, and most damning of all for Millar’s genre, little in the way of memorable action scenes.

Grade: C+

– Cal Cleary


3 thoughts on “Review: Nemesis #1

  1. I might actually agree with the grade, but you’re reasons for the grade ring false.

    You want Millar to take time to show intricate planning? In a four-issue mini? With Steve McNiven onboard? That’s just silly!

    How did he capture the president? Uh, we pretty much saw exactly how. Those ten pages involving Air Force One? Remember?

  2. Super-genius anti-batman crying about a stolen childhood.

    I don’t know exactly what the exact reasoning was for the fallout between Morrison and Millar but I know it involved him ripping something of Grant’s off.

    I hope he’s still holding a grudge because this is a blatant Prometheus ripoff.

  3. I’ve never given that relationship much thought. Morrison wanted to help Millar for some reason, and it obviously worked.

    Their collaborations aren’t anything too special, and needn’t be sought out by Millar or Morrison fans.

    This isn’t the first time Millar’s ripped something off.

    Also, as a Morrison fan, you realize really quick that Grant never gets the proper recognition for all his ideas.

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