The Writing: Fraction puts on his Claremont hat, going back to a theme that has been done to death. “Let’s make the X-Men about intolerance.” A fine message, for sure, but it’s all been done before in the X-Men. That said, Fraction is still writing better-than-the-rest here. He packs this issue full of cleverness. So, you get your money’s worth, but a lot of this stuff feels a bit unnecessary, and it all could’ve fit in a regular issue. But no, these X-Men events have to be oversized and feature Marc Silvestri art.
The Art: Silvestri is Silvestri. I’m not too fond of his work, but he’s a god to some. And, to be fair, he rendered one of the best X-Men tales ever, “Here Comes Tomorrow.” The problem here is that Silvestri needed four additional artists to provide the crowd for Fraction’s script. So, needless to say, all the additional pencilers create a slightly jarring reading experience, and a few continuity mistakes along the way. Also, and this is the problem with nearly every artist Fraction works with, Silvestri renders the action scenes well, but struggles with some of the quieter moments.
Final Word: The last page of this issue is supposed to have a big impact, but it’s already been spoiled. This is Marvel’s only crossover this summer, and, thankfully, it’s completely in Fraction’s hands. As a huge Fraction fan, I couldn’t be happier. However, this special, while good from a technical standpoint, doesn’t provide an interesting enough premise, and, really, isn’t very entertaining.