SeventhSoldier Presents: The Christmas Haul!

 

So, rather than save my Christmas money*, I did what any sensible person would do – I bought comics!  Sure, I can’t pay rent for February, but I got some quality reading done in the meantime, so all is good, at least in my head.  Without further embarrassing personal detail, onwards!

 

Northlanders: Sven the Returned

northlanders1

 

While the adherence to modern slang and language might be off-putting, it soon becomes subsumed in the tale of a stubborn Viking who just wants people to quit fucking with him.  Entertaining and violent, with just a touch of the dramatic, the first trade nevertheless fails to surpass the standard Viking revenge tale.  Still, the hint of promise shown within make me hopeful for future offerings.

Grade: B-

Scalped: Indian Country

 

scalped1

 

The hype from Jason Aaron’s reservation-life Native American noir is heavy, and this opening trade fails to deliver.  Standard art combines with a story that barely serves as more than an introduction to make a disappointing first volume.  There’s promise to be found in the filth the book revels in, but it takes some digging to find.

Grade: C-

Scapled: Casino Boogie 

 

scalped2

 

Scalped: Casino Boogie

The second trade, however, delivers in all the ways the first one didn’t.  Introducing new twists to the story, the book does it in a creative and entertaining way, each issue taking place over the span of the same day, but from a different point of view.  Here we finally get in deep with the various players on the reservation, and here we finally have a reason to care.  Count me among the converted.

Grade: B+

Phonogram: Rue Britannia

 

phonogram1

 

I have trouble explaining how much I enjoyed this from relative newcomer Kieron Gillen.  Ultra-masculine Brit hipster David Kohl is forced to search for a dead goddess of Brit Pop music and find out just what it going on in the ether that’s causing him to change in drastic (to him and no one else) ways.  Even given my relative unfamiliarity with the bands and trends being mentioned, I nonetheless could relate to the sheer power music has in the lives of these people.  An intriguing story and a fascinating setting just a little to the left of our own work together with simple (but clean and gifted) art to provide a book well-worth your money.  A story about reinforcing why you love what you love, about coming to terms with it and its influence on your past.

Grade: A-

Buffy the Vampire Slayer: Wolves at the Gate

 

buffy1

The Whedonisms of the book are beginning to grate, and while it is still an undeniably enjoyable book, some of the particular thematic and writing tics of the book are wearing.  Nonetheless, the book continues to excel at humorous, heartwarming, heartbreaking relationships, and fans of the TV show will continue to enjoy the rapid-fire wit and excellent dialogue.

Grade: B-

Hellblazer: Joyride

hellblazer1

Andy Diggle, writer of The Losers and Green Arrow: Year One, seemed like an odd choice of writer to take over the Hellblazer writing chores after award-winning horror novelist Denise Mina, and Joyride is his first collection, a series of stories meant to bring John back from the brink where he’s been hovering through the last couple writers. The story is entertaining and suitably dark, a good set of arcs to set up what Diggle seems to hope to accomplish.  Expressive, dark art from Manco and strong ties to the recent Hellblazer run of Mike Carey combine to make a standard, but competent story.

Grade: B

Gotham Central: The Quick and the Dead

gotham-central1

 

The fourth trade in the Rucka/Brubaker masterpiece bringing a refreshing bit of realism to the gritty uber-epic Batman mythos, The Quick and the Dead might be the weakest trade in the series thus far… but given the strength of the characterization and dialogue, it still serves the series well, and shows time and again how Crispus Allen and Renee Montoya got where they are today.

Grade: B

Casanova: Luxuria

 

casanova1

 

Matt Fraction’s tiny little piece of insane pop action is well-introduced in this first volume.  While stylistic art takes a little adaptation to those of a more traditional bent, it nonetheless complements Fraction’s hyperkinetic action hero well. Fun fluff, well worth the shot for fans looking for a little something more from their action espionage comic books.

Grade: B

The Filth

 

filth1

 

Yet another obscure entry from Grant Morrison, the Filth almost delights in being obtuse.  Filled with crazy, creative ideas, it boils down to a cranky old man who just wants to be alone with his cat in its dying days.  Weston had his work cut out for him, but he steps up to the task admirably and delivers on many of the absolutely horrifying concepts Morrison bandies about with creepy ease.  Absolutely not for everyone – not even for most people – the Filth nonetheless may offer some readers a glimpse into the darker side of Morrison’s work, that they might better understand where he’s coming from in the lighter works.

Grade: B

Young Liars: Daydream Believers

 

young-liars1

 

The first disgusting trade of Young Liars is finally available, and well worth a gander.  Like Mike Carey’s so-so Faker, Liars focuses on disgust, betrayal and selfishness, but the refreshing blitz of Sadie, teamed with the self-loathing love of young Danny, make for far more compelling interactions.  The attitudes of the book may be a turn-off for many, and some bizarre stylistic choices in terms of background and dialogue can be confusing, but it is nonetheless worth a gander.

Grade: B+

Fables: War & Pieces

 

fables1

 

Willingham’s epic seems to move in waves.  Alternating between stories with a great deal of creativity, heart and action all laced together with a healthy dollop of bastardized mythology and a series of stagnant set-up arcs with a lot of introduction and even more nothing-really.  So, it should be no surprise that after that strength of The Good Prince and Sons of Empire, War and Pieces reads as a perfunctory conclusion to the first major conflict in the Fables-verse.  An important book plot-wise with (as always) impressive art, War and Pieces is nonetheless another dry spot in the ongoing story.  Not bad, just not up to the standard the book set for itself.

Grade: B-

DMZ: On the Ground

on-the-ground

 

Brian Wood’s breakout hit about a the only on-location journalist at ground-zero of America’s second Civil War appears to be almost entirely a setting-building exercise that also happens to casually examine the horrors of war with which we are all pretty familiar.  Still, the excellent art provides a certain touch, and Wood’s story excels where many such stories fail in its compelling cast of supporting characters and slice-of-life stories, like the sniper romance.  Wood doesn’t let us revel in a single aspect of war atrocity on home soil, instead taking us through a series of small arcs to see the effect of the civil war and troop involvement in New York City itself.  Thanks to its easy familiarity with a cool cast, DMZ proves itself a consistently entertaining read with just a touch of the frighteningly familiar.

Grade: B+

 

 

 

*okay, admission time – it was actually just gift cards, so it wasn’t actually a waste, and some of these were bought before or after Christmas that I just never got around to reviewing.  I may begin to review some of my older trades as my pull list (and available cash) dwindles.

 

3 thoughts on “SeventhSoldier Presents: The Christmas Haul!

  1. It’s nice to see all these Indies. You’ve successfully made me feel shame for recently purchasing the spectacular failure that was Ultimates 3.

    I’ve read six of these books. Three of them are on my top ten for 2008 list. You will see that list. It’s just progressing like molasses going uphill.

    There’s also one book that probably should be on my top ten list, but something’s happened to me with that title. I can’t explain it.

    Sorry for all the mystery. Keep up the good work. Hopefully you’ll disagree (Or maybe agree) with my top ten when I finally post it so we can talk more.

  2. Heh. No shame in buying the mainstream comics – I think that, in single issue form, I vastly prefer superhero comics. There’s something traditional about pulp adventure fiction in the serialized format that just keeps making me smile, whereas a lot of Vertigo-esque projects read much better as collections.

    And then there’s the fact that the first trade of any Vertigo project is 9.99$ – that’s one of the greatest marketing decisions comics have ever come up with. Say what you want about DC’s marketing department… the folks in the Vertigo trade section have to be walking on air. That thing is a sales juggernaut.

    But, the truth of the matter is, while mainstream Marvel is being bogged down in angst and overwrought darkness and DC is being bogged down in not knowing what the hell they want to do, Vertigo (and the indies) keep pushing out interesting projects in a variety of genres.

    Yes, there’s definitely a thrill in tracking Renee Montoya’s growth from Gotham Central through 52 and The Five Books of Blood and into Revelations… but there are risks that even the b/c list characters can’t take in these shared universes. Can you imagine someone like Young Liar’s Sadie in a superhero comic? The dance they’d have to do to keep her alive and within a certain status quo?

    Also, to be honest, there weren’t that many interesting superhero trades. I did pick up three that aren’t on here, because we’ve all covered them thoroughly in single-issues: two of Dinis Batman trades, and Morrison’s the Black Glove.

  3. Absolutely, the people who feel that the spandex-clad are a disgrace to the medium are kidding themselves. Nothing can compare to the larger-than-life feel the capes bring. In fact, I totally agree with something Morrison said on that interview I posted on FC #6.

    Hollywood handles realism wonderfully. Especially with films like Iron Man and the Dark Knight, Hollywood has proved that they should be responsible for the realistic heroes. What current comic writers should deal with now is the unlimited budget. Hollywood has the actors and the capability to portray the streets beautifully (Or ugly as the case may be). Comics should deal with unfilmable subjects that only a talented artist can conjure.

    But yes, as we talked about a while ago, Marvel and DC lack total freedom. So it’s always nice to see what the Sadie’s are up to. I totally agree with the trade strategy as well. It’s gotten to the point where it’s hard for me to try something new due to monetary reasons. However, I as well have been roped in by the 9.99 price tag. I mean look at Northlanders. Eight issues for ten bucks? Done!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s