I just want to apologize real quick for my lack of appearance in the last couple weeks. I have a backlog of reviews that will be coming up in the next couple weeks, but I had to concentrate on finishing up my first semester of grad work. Still, Internet access fixed and semester over, I will now be returning to my actual reviews
Final Crisis #5: Into Oblivion
Keeping things relatively spoiler free – I have Bruce and Billy to give you the skinny on everything what’s gone down – I have to say that this was another action packed issue of Final Crisis… but the question with Final Crisis has never been ‘does anything happen’, but ‘how does it happen?’ The first issue, while exciting, introduced a great deal in a series of relatively choppy segments with brief, sometimes ill-handled transitions, and as much as I’ve loved the series since, it’s spent the entire time playing catch-up to the 40 different plots introduced in #1.
While we’re still playing catch-up, the series has definitely leveled out, finally, into a well-written apocalyptic story with a palpable sense of dread and some pretty killer action… and a few answers to long-standing questions. In a comics industry that has trained us to follow these events like dogs chasing cars, knowing that nothing will really change beyond a new series or two – and a few cancellations – Final Crisis has at least moments of genuine peril, wonder, and excitement. That sounds like the beginning of a rant, and after the ‘end’ of Secret Invasion, believe you me there’s a rant brewin’ on the nature of our (still beloved) event-driven industry… but it might be a smidge inappropriate to throw in here.
Final Crisis #5 was, though, a well-written issue setting up a promising finale. While the series has failed to live up to the highest standards of event comics, set by projects like 52, two issues remain in which Morrison still has a chance to bring the series to a resounding close.