I have pictures with some HAWT-HAWT ladies that I’ll probably post up in the next few days. Panels? Panels are for suckers, fool!
Batman and the Outsiders #9 (***)
Whoa, shit just got weird. I never read the original Batman and the Outsiders series, so maybe I just don’t know any better, but does it make sense to anyone else that the plot has veered into science fiction territory? Seriously? Batman’s gonna stop an alien invasion? Really? WTF!!! Don’t get me wrong, the issue is still very well-written, because Chuck Dixon is awesome, but how the hell did we come to this? Sure, we had space shuttles and OMACs and possessed people… but there’s just something about this latest plot turn that doesn’t sit right with me. I think it just feels too “big” for a Batman and the Outsiders plot. I need “Justice League Elite” style shenanigans from my BATO, not “Authority” end of the world shenanigans. Not that any of this matters since I’ll be tossing the book after Dixon leaves.
Justice Society of America #17 (****1/2)
I really, really, really love this arc. Some of us are comparing what Johns is doing with his DC books to what Bendis is doing over at Marvel. Which is true on the surface, but there’s a subtle difference. The difference is Johns is a much more talented character writer than Bendis. Johns relies on solid scene construction and not dialogue to reveal character. Most of the time, Bendis can barely manage the dialogue, and even then he’s only hiding behind the cleverness of it. The core of the character is usually missing… the core being the meaning/message/chunk of philosophy to chew and mull over. This is why he gets slammed so much for “decompression”. When the plot is literally oozing forward at a snail’s pace, you have to rely on internal character change to move the story. Johns can do this. Bendis can not.
The Punisher #59 (****1/2)
It’s all starting to make sense now. All those pages of prose from the last 5 issues, all the descriptions and explanations of how the Punisher’s birth and very existence has changed so many that knew him… it’s so obvious now that I think of it. There was really only one way this story could ever end. Of course, Colonel Howe isn’t going to use the tape. Punisher knew that. But, what the Punisher may not have known was how much the simple act of experiencing what he’s experienced would fundamentally change the Colonel. No, Howe’s not gonna release the tape to the media. It would devastate the country and cripple the military. No way in hell would a man like Howe be responsible for that. But, what he will do is this: he will dismiss his team. He will take sole responsibility for what comes next. He will help Frank Castle punish the guilty parties. Howe will become exactly like, for as long as his surely brief life lasts, The Punisher. There’s tons more to say, and tons more there that I haven’t picked up on yet, but we got to save some for next month. Powerful stuff, though. Next issue is going to be amazing!
• Amazing Spider-Man #564 (***): The blurb on the cover promises the most unusual Spidey story ever… consider me underwhelmed. Roshamon Spidey anyone? Sure, good idea, guys… poor execution.
• G.I. Joe #36 (***): It just didn’t do it for me. Instead of giving up a proper 3rd act, the story just kind of ended. I’m hoping the relaunch next year is awesome, and by awesome, I mean they have some top talent attached. If not, eff it, I’ll finally be done with serialized Joe fiction.
• I Kill Giants #1 (***1/2): Hey kids, Joe Kelly is back! Lots of setup, it’s a first issue, but also lots of fun. I really like this little girl and the way she sees the world. And I can’t tell just yet if she’s actually crazy or the stuff she sees is real or she’s just extremely creative, but I’m more than happy to stick around and find out.
• Number of the Beast #7 (**): More blatant exposition about the hokiest plot of the year. I wonder if this series would have been better served if the creators opted against revealing the (ridiculous) reasons for the WWII heroes’ incarceration. Probably. This issue slows this bullet train of a series to a crawl. Ugh.
• The Boys #20 (****): Another back story issue, but just like last time, it still works. That’s probably because Ennis is such a compelling storyteller. I think that may actually the thing I like best about Ennis. I love the way he writes characters telling stories. He makes you wish you were sitting around the campfire with the characters in the book. The Boys is blossoming into a must-read book. Good times.