“Go” continues with this issue, and it’s even better than the last. While it lacked the emotional gut-punch of Kate’s family’s fate, it in many ways surpasses the previous issue. Following Kate from college through her relationship with Renee Montoya, part two of “Go” briefly examines the very real preposterism of the army’s “Don’t Ask, Don’t Tell” policies and how easy it is to get lost after you leave school without knowing what to do, all while intermingling it with the continuing story of the Crime Bible, even introducing a nice twist in the proceedings.
After being kicked out of West Point when she’s revealed to be gay, Kate finds herself with nowhere to go. Rucka treats the “Don’t ask, don’t tell” policy seriously, as it deserves, and illustrates the bigotry of the policy. From there, the book moves quickly through Kate’s fall as, directionless, she becomes a wealthy layabout, a hedonist unable to stick with anything she does until a chance encounter in an alley suggests that she might have some way to use her skills after all.
It is hard to review this comic issue by issue, at least when it comes to the art – while the quality of Rucka’s story may vary from month to month, J.H. Williams III remains consistent as one of the industry’s strongest talents. Along with colorist Dave Stewart, Williams gives the book a unique, exciting visual style that never fails to please. This issue is no exception in that regard.
The back-up remains solid, introducing another supporting character for Renee to bounce off: the Huntress. Rucka smartly continues his first story, building his entire back-up run into a lengthy thriller and giving it the feel of a longer book. Hamner’s art is quite well, and while the issue doesn’t give him as much opportunity as normal to show Renee in motion, which has become a pleasure to watch under Hamner’s pen, he does an excellent job at the book’s longest action sequence.
- Cal Cleary
Detective Comics #858
Detective Comics #857