Review: Justice League of America #49
September 26, 2010Review: Justice League of America #38
October 22, 2009
I think that, when it comes to Read/RANT, I’m the resident James Robinson fan. It isn’t easy these days. Go back a few years, and there were few who would dispute Robinson as a top-notch creator. Admittedly, many hadn’t heard of him, nor had they read the title that earned him such accolades… but that just meant they couldn’t really dispute the claim. Now, however, Robinson has failed to produce a truly successful follow up to Starman, instead giving readers a string of mediocre-to-bad comics, from his uneven Superman to his downright laughable Justice League: Cry for Justice. And yet, with many of Starman‘s fans, good will remains. His newest, and arguably his highest profile book to date, hit yesterday as he takes over writing duties on Justice League of America with issue #38.
Unfortunately, there’s little of value in Justice League of America #38. Robinson opens the issue with the death of Blue Jay, insults Young Justice on the following page, and then introduces Gypsy by having her brought in unconscious and thrown around by Despero. It’s hard to describe that sequence of events without at least imagining that Robinson is slyly satirizing the recent trend to piss off fans of the critically-praised, beloved JLI and Young Justice, but he plays it so straight and with so little heart that it almost seems incidental to everything else.
Led by Vixen, a group of heroes battered by Prometheus in Justice League: Cry for Justice has gathered in the headquarters of the original Justice League to discuss the future of the group. Vixen, Dr. Light, Plastic Man and Red Tornado can think of few reasons why the team should exist, let alone any world in which they could be the glue that holds it together, but a surprise attack by Despero unites the four injured heroes with Gypsy and Zatanna. Together, they manage to fend off the attacker, and that’s when we get the real news: this is a “Blackest Night” tie-in. Taking place at the exact same time as the events of Blackest Night #3, the newly-formed Justice League decides to crash the Hall of Justice and confront the now-undead villains, seemingly led by the malevolent Dr. Light.
Mark Bagley, recent superstar of DC’s Trinity, does a fine job on the art. His style is extremely traditional – impossibly thin, curvy women and enormous, muscle-bound men – but that hardly hurts the issue. The action segments flow smoothly and he keeps the dialogue-driven scenes running well, too, most notably because of Plastic Man, who looks increasingly as though he’s about to fall apart as the issue progresses.
This is a book that I very much wanted to like. A Justice League comprised of Vixen, Zatanna, Plastic Man, Red Tornado, Gypsy and Kimiyo Hoshi is… well, that’s a pretty damn interesting team, and there are a lot of stories to be told. Unfortunately, Robinson takes the easy way out – a whole lot of exposition broken up by a brief brawl with a bland baddie. The issue does not suggest that we will see the clever, character-driven action and well-constructed drama for which Robinson justly became a star. Justice League of America looks to remain, at least for now, a book desperately struggling to find a voice, tone or interesting creative direction.
Grade: C-
- Cal Cleary
Review: Green Arrow & Black Canary #21
June 17, 2009
This book is bad. Seriously, you should all thank me for reading it so you don’t have to.
How bad is it?
Well, this issue steals its premise from one of the most celebrated Buffy the Vampire Slayer episodes of all time, Hush. Hush was amazing because of the way the characters were able to communicate silently. In television, a medium that typically includes sound, the effect was sometimes creepy, sometimes touching and often hysterical. In a comic book, it just means the horrible dialogue appears in thought captions instead.
How bad is the internal monologue? Check out the opening spread from Black Canary:

On the next page is the single word “Silence” Ooooo. So, the leader of the JLA is afraid of the sounds of silence. Don’t take her to a Simon and Garfunkle concert!
In the Buffy episode, people were weirded out by the fact no one could make any noise vocally. People started buying dry erase boards so they could communicate. They were freaked out, but they went about their daily lives. In this book, people start acting like it’s the end of the world. Riots break out immediately. And when Black Canary saves a girl from a street gang (she stops the last one by throwing a knife in his leg, btw) the girl asks why she let them live.
Because if someone turns off the sound for five minutes, everyone’s going to go all Lord of the Flies all the sudden.
By page 6, we are treated to the team of Green Arrow and Cupid. (Seriously, why don’t they just rename the book? Get Dinah the hell out of this book, please!)
Cupid’s idea of heroics is to put a family out of their misery rather than letting them burn to death. Ollie stops her and rescues the family rather easily. Which leads to this marvelous exchange:

I don’t know, Ollie. Maybe you could lock the psycho up before she actually executes someone! Just a thought!
Dinah visits some scientists who give her a way to track the source of the problem through, you know, science. Or comic book science at least. Of course, Black Canary doesn’t knock on the office door. No, she breaks in their window and shrugs for no apparent reason.

Because the window was dirty and you didn’t want to clean it?
Through a flash-back, we learn that Dinah was not good in science (presumably because she’s a girl, right?) And that this whole thing is her fault. But we already more or less knew that from the first issue of Kreisberg’s run. Now we just find out this isn’t the first time she’s blown out someone’s ear drums.
Silly, girl. Always blowing out people’s eardrums, knifing thugs and being saved by Green Arrow.
Oh, and we also find out where BC got her ideas about how to enter a room:

I guess Wildcat didn’t get the memo about the JSA’s mission to make better heroes, huh.
Hopefully by reading this comic, I saved someone else from having to waste $3.
You’re welcome.
Reviews: DC’s Team Books
May 29, 2009JUSTICE LEAGUE OF AMERICA #33

It’s a sad time to be a fan of the Justice League. The book just hasn’t been worth reading for a long time. After reading Dwane McDuffie’s on-line comments about some of the bizarre editorial mandates inflicted on the books, I’m kind of amazed that the book has been readable at all.
Having said that, this issue was actually more readable than most. It feels like a lot of the outside pressures and influences eased up a little this issue and the story actually got a little room to breathe. It probably helped that a lot of second and third tier characters took center-stage. (Black Canary and Superman may be on the cover, but don’t expect to find them in the book.)
A lot of the plot threads that McDuffie has been working with come together in this issue. Starbreaker has kidnapped Dr. Light and the Justice League enlists the aid of Hardware to track her down. Meanwhile, Anasi contacts Vixen and charges her with an important mission. To aid her, he provides a partner last scene in a previous JLA arc.
If you haven’t been reading Justice League, this is hardly new-reader friendly. Having been a less-than-devout follower of McDuffie’s run, I know little to nothing about the Shadow Cabinet. And if I hadn’t read the Anasi arc, I think I would have been utterly baffled by the entire issue. But, if you have been keeping up with McDuffie’s run, this issue starts to pay things off.
The art by Rags Morales is good. I would prefer him as a regular artist on this book over Ed Benes. Having said that, the art in this issue kind of lacked some of the “wow” factor I expect from Rags. I don’t know if it was rushed or poorly inked. It just fell a little short of what I have seem from Morales in the past. But it was still better than the usual art on the book.
I also credit McDuffie with doing a couple of things I would not have thought possible. One, he makes Starbreaker feel like a legitimate threat. I can’t remember the last time the JLA faced a worthy adversary. And two, he’s actually making me care about Dr. Light.
I also couldn’t help noticing that this JLA is the most ethnic JLA I’ve ever seen. There was not a white man to be seen aside from the guest star Anasi whipped up. I couldn’t help thinking that was kind of cool. First a black president and now a racially diverse Justice League!
I also liked a lot of the smaller moments in the book. For example, Zatanna is unable to simply teleport the League to Dr. Light. She goes on to explain that she has a set number of spells prepared and this isn’t one of them. I like Zatanna, but I always thought her power-level was poorly defined. Sometimes she seems all-powerful and sometimes she’s useless. I liked this explanation.
I am not recommending Justice League. Not yet. But if you’ve been reading McDuffie’s run, things look to be getting better. Hopefully he will be allowed to continue that momentum and rebuild this once-great book.
JUSTICE SOCIETY OF AMERICA #27

Last issue was the end of the Geoff Johns era of Justice Society. And the new writers haven’t gotten here yet. So that obviously means it’s time for a Jerry Ordway fill-in arc. It’s hard to get too excited about a fill-in story like this. You know going in that nothing of any significance is likely to happen. But I decided to give it a shot anyway.
Frankly, I was pleasantly surprised. Ordway does an admirable job with the large cast of the JSA. and his old-school style suits the book. Despite being a fill-in story, the issue actually feels relevant. In fact, I wouldn’t be surprised if Ordway is allowed to make some roster changes before the new team arrives.
Although several members of the cast get their moments in the spotlight, the issue focuses on two former members of Infinity Inc. Both Atom Smasher and Obsidian have betrayed the JSA in the past. And neither one of them is fully trusted by the team. So, when they start behaving oddly in the name of protecting the team, not everyone is willing to take them at their word.
Doing a fill-in after Johns’ long run on the book has to be a daunting task. But to his credit, Ordway seems up to it. If you’re not currently reading JSA, this isn’t the issue to start. But if you’re already a JSA reader, this issue is a good enough place holder until the new creative team arrives. And that’s all you can ask of a fill-in.
TEEN TITANS #71

I’ve been a vocal critic of the Titans books. The entire franchise has been a complete disaster for a long time now. And I have hated Sean McKeever’s run on the book. It started off mediocre and then completely crossed the line with this issue.
I could never get invested in the book again after that. It didn’t help matters that this book was tied up in the garbage that was Deathtrap. It made both Titans books more skipable than ever.
This issue marks the end of McKeever’s run on the Teen Titans. But he’ll be sticking around the book writing back-up stories for his Mary Sue, Ravager. With Deathtrap over, I decided to give the book another look. And I shouldn’t be too surprised by what I got.
Ravager was front and center. In fact, this issue was less of a Titans story than it was a set-up for McKeever’s Ravager co-feature. After her escapades with the Terror Titans, Ravager returns to Titans Tower to decide whether or not she should rejoin the team. Meanwhile, Wonder Girl and the rest of the Titans have to decide whether or not they want Ravager back.
It’s all false drama. Bombshell, who was depicted as an out-an-out villain during Johns’ run on the book, has been accepted by the Titans. How could they refuse membership to Ravager? Even Wonder Girl just seems to give up when arguing her point.
Of course, Ravager doesn’t make the decision any easier. In a truly astonishing lapse of judgement, she decides to betray the Titans’ trust in order to force a confrontation with Bombshell. Why? Because she wants to test Bombshell’s loyalties. Huh?!?
I wish McKeever well, but I am glad to see both him and Ravager leave the book. I only wish the back-up feature were going somewhere else. I plan to give the book another chance when Bryan Miller takes over next issue. It’s just a shame I’ll still be getting 10 pages of the same crap from McKeever.
Oh well, 10 issues of crap is better than a full issue.
JLA Done Right
May 1, 2009
I’ve been planning a rant about the current state of the Justice League. (It’s coming!) But, in the meanwhile, I saw this article at Newsarama about the Grant Morrison’s run on JLA. This is wasily one of my favorite runs on any book. And since the JLA is my favorite team, it’s my favorite run on any team book. (In spite of the weak Howard Porter art.)
Anyway, here’s a link to the article. Read it and remember when the JLA was great:
Mini-Reviews: Catching Up With Comics
November 7, 2008This is becoming all too common these days. And unfortunately, it shows no signs of letting up. Been busy. So has everyone else, I know. So, rather than post 1 or 2 full reviews, I’m going to play a little catch-up with some mini-reviews. I’m going to try to focus on books others haven’t covered. Or at least books that haven’t been reviewed three and four times.
Daredevil #112 – Last issue, I gave this book a try after a long absence. I enjoyed the set-up of the Lady Bullseye character. This issue, we get some interesting glimpses into her plan which seems to involve testing possible recruits to her cause. But the overall focus of the story seems to be showing what a monumental jerk Matt Murdock is. I mean, this guy cheated on his wife. Then he got angry with his mistress when she revealed their indiscretion to the police to clear him of murder charges. Is he in some kind of a dick-off with Tony Stark? It was still a good read, but I’m not inclined to keep reading about such an unsypathetic character.
DCU: Decisions #4 – Just the premise of this story should have been enough to tell me it was going to be bad. Then there’s the fact that it’s co-written by Judd Winick. I’ve defended Winick in the past, but I’m done with that now. More and more, he seems determined to live up to his reputation as a hack. This issue is made up of essentially two parts. The first part is a non-ending which leads into the next story arc of the horrible Titans book Winick writes. A four-issue mini should offer some kind of closure, but this one is all set-up for another book. A really bad book. The last several pages is nothing more than a public service announcement about the importance of voting. I had low expectations of this book, but Winick and company managed not to meet them.
Justice League of America #26 – I want to love this book because I love th Justice League. But McDuffie’s cast is too big. And his stories, while they may have seemed fresh in the animated series, rehash the most over-used comic book cliches. Occassionnaly, you’ll get some good character moments. But all too often, everything is on the surface. This issue is particularily bad. After months of build-up, Vixen’s story ends with a return to her status quo. But not before a trip to a parellel universe! The pat ending comes out of nowhere like the story just ran out of gas.
Making matters worse is Ed Benes’ ridiculous amount of T&A. Usually, I don’t mind Benes as a penciller. But when the story is as thin as this, you can’t help noticing that Vixen’s butt takes up half the panel and her porn star chest takes up the other half. This is to be expected from Benes. He has made a name for himself selling cheesecake. But it feels so out of place in DC’s flagship title.
Justice Society of America #20 – Now this is how you handle a big cast and parellel universes! There were so many character running around, it was sometimes hard to keep track of who was who. And there were a whole lot of Earth-2 character I just don’t care about very much. But Johns, Ross and Eaglesham do a masterful job of shining a spotlight on the emotional impact of the story. Primarily, we’re dealing with Power Girl here. We finally get some answers as to how there are two Power Girl’s running around and we feel the loss both characters are feeling. In the background, we also get important character moments for Alan Scott and Mr. Terrific. Even with the confusion of having multiple Justice Society’s battling it out, this is just a good, fun comic book. It puts Justice League to shame!
Reign In Hell #4 – There is a big story being told in this mini-series. And there are a lot of players. Most of them don’t even qualify as C-listers. So, it can be a bit hard to keep track of who is doing what. I like the stylized art by Tom Derenick and Bill Sienkiewicz, but sometimes it adds to the confusion. With so much going on, I almost wonder if this mini-series wouldn’t have been better served by a different structure. Maybe one more like the similar Annihilation story also written by Keith Giffen. I think I would enjoy each of these stories more if they had been compartimentalized in overlapping mini-series instead of one big story that can’t focus on any one thing for too long.
Secret Six #3 – This book continues to be the most fun read of the month. It’s twisted, sure. But it’s hysterical. And the artwork is amazing. If you haven’t checked it out yet, it’s time to start.
Superman #681 – First of all, let me say that I am loving the New Krypton story line so far. The premise is big and ripe with possibilities. And the New Krypton Special was just that, special. The scenes drawn by Gary Frank depicting Superman’s reaction to Pa Kent’s death were brilliant! As the second chapter in the story, this issue does a good job of moving the plot along as well as undercoring what a big deal it is that one hundred thousand Kryptonians have arrived on Earth. My one complaint is that the cliff-hanger ending literally just drops from the sky. (My minor quibble is the entire page that was devoted to Krypto asking to be let into the Kent farm – what is it with Robinson and Krypto?!?)
Teen Titans #64 – I really should drop this book. I’m still reading it out of habit, which is a bad thing. I understand what Sean McKeever’s been trying to do with this book. First, he broke down the cast to the point where the team currently has only four members. Now, he’s slowly rebuilding it by adding members one at a time. The problem is, neither the departures nor the additions feel organic. Most of the characters who left the book did so because the plot demanded it. And in this issue, the team takes in Bombshell for pretty much no reason whatsoever. Even Bombshell seems amazed by their stupidity. I should really drop this book…
Terror Titans #2 – Man, this is just pointless! McKeever introduces characters in a single panel only to kill or maim them in the same panel. Who the hell cares? And the over-the-top gore is not cool. It’s certainly out of place in a mainstream super-hero book. Especially part of the Titans franchise. But that franchise is in sorry shape these days. Sadly, this is just one indicator of how bad things have gotten.
Review: Justice League of America #23
July 26, 2008I’ve noticed a pattern in Dwayne McDuffie’s work on Justice League. He does a very good job at the things he does well. But he never seems to be aiming very high. This issue, like most of the issues in McDuffie’s run, is a standard super-hero/super-villain showdown. There’s nothing here you haven’t seen a thousand times before. In fact, we’ve seen this team square off against this same villain recently. However, the execution is good enough that it was still a fun read.
On a certain level, you have to be impressed with the way McDuffie handles the gigantic cast. In addition to the large roster Brad Metzler left him, McDuffie has added guest stars and semi-regulars like Zatanna, Steel and Firestorm. And yet, no one gets lost. All the characterizations feel genuine.
The issue is essentially a smackdown as Amazo rips apart the Justice League. As these things go, the fight is handled well. With the powers of the entire League at his disposal, Amazo should be a massive threat. And that comes across here. Although, as often happens in Amazo stories, he starts shooting arrows just because Roy Harper is there. If you had already copied Superman, Green Lantern and the Flash would you really waste your time shooting red arrows?
There is a larger story going on as well. McDuffie has been slowly building up the mystery of Vixen’s powers that Metzler introduced in his run on Justice League. And while not much is revealed here, the issue definitely sets up revelations to come.
The art is by the series regular, Ed Benes. So, it’s no surprise that it’s just thise side of cheesecake. By this point, you know what to expect from Benes and you either like him or you don’t. Personally, I can overlook the occasional gratuitous butt shot. He’s not my favorite artist, but he’s far from my least favorite.
On the whole, the book is enjoyable for its big cast and strong characterizations. I just keep waiting for stories with a little more complexity than the Justice League Unlimited cartoon.
Foilball’s Review Roundup #32 – THE GROANERS!
July 3, 2008“Ah, I’m so lazy this week.” – Billy Zonos
Instead of doing the usual coverage of my twice-monthly DCBS shipment, I thought I’d split my remaining reviews into separate Roundups divided by overall quality: The Groaners, The Mediocres and The Gooders. This, obviously, is The Groaners. For those that have read the following books, yes, I feel your pain. For those that have not, yes, you dodged a bullet and your wallet thanks you.
• Anna Mercury #2 (**): OH MY GOD. This one is awful. Forget every nice thing I said about the first issue. This series reads likes it’s based on an idea that’s 10 years old. You got me, Ellis. Oh, you bastard.
• Dreamwar #3 (**1/2): Things are not looking up. Finally, we get some kind of explanation… well, no. We get Superman crying after Batman is killed, “Hal… Ollie’s dead. Why didn’t it matter to us? What are we doing?” Yeah, I’d love the answer to that one too. Please? Thanks. Oh, wait… Zealot killed Batman:
• Justice League of America #22 (*): One. I hate the Amazo story from the opening arc. Two. I still hate it. Three. Why does every woman that Benes draws look like a total whore? Four. Black Canary serves it up fresh. Wait, that was awesome! Five. Red Tornado… don’t care!!!
• The Programme #12 (-): To be honest, I skimmed it and then read the end. Of what I read, I have no idea what this book was supposed to be about and I don’t really care to ever know.
• Runaways #30 (*1/2): It could have been worse. If you skip the first 15 or 16 pages, the wrap-up is kind of nice. My favorite/best part of this travesty? Finding out just how fucked up Nico has become.
• Amazing Spider-Man #563 (**1/2): Note to Bob Gale – Stop telling cheesy jokes. This has been a message from your readership.
• Superman #677 (*): Um, is this supposed to be in continuity? Superman talks like a fucking idiot! Misogyny? Check. Naiveté? Check. I mean, shit. The guy talks about his dog like a 7-year old would. How lame is this? I thought Robinson was this huge talent? And who the heck is this lame-ass Atlas character? GAH! I didn’t think it could get worse than the Busiek Superman run, but this one has shown me the error of my ways.
• Superman/Batman #49 (**1/2): I’m surprised how bad this was as compared to the other 5 parts of this story. The end just didn’t work for me. I don’t buy Lana Lang trying to poison the earth with Kryptonite in order to force Supes to leave, never mind the fact that she has been behind this plot the whole time. This is just ludicrous to me. This story is definitely out of continuity. I don’t see Johns or Robinson paying much attention to this particular change in the Clark/Lana dynamic. Oh, but I did like that final page (with Batman inside that vault filled with all types of Kryptonite): Yep, Bats is a douchebag.
• Trinity #3-4 (**): This book is boring. And ugly. Bagley doing DC characters just doesn’t look right. As much as I hate doing it, I’m dropping this book. Maybe if the plot picks up later, I’ll jump back in. For now, I’m just gonna ignore it. Sit it out like my pal, Superman.
• The Ultimates #4 (*): I don’t know what bugs me more? The awful plot or the “ripped straight from cheesy movie” dialogue? “Come with me if you want to live.” Really? REALLY?!?!
• Uncanny X-Men #499 (**1/2): I loved the first 4 parts… this was a jumbled mess. The A and B plot did not sync up well, every cutaway was painful, and the revelation that the mysterious hippie woman was Mastermind’s daughter was actually a non-event. Meanwhile, back in Russia… their faces: priceless.
• Wolverine #66 (*): MOST OVER-RATED BOOK OF THE YEAR. Everyone is literally jacking off into each other’s mouths over this one… I just don’t see it. This book is atrocious. So atrocious, someone needs to give it a red power ring. DING. I mean, BIG DEAL, Millar is adapting “Unforgiven” and using Wolverine to play the role of William Muny. I don’t care! Why!?!? Why is this a good idea? (And I like westerns…)
• X-Men: Legacy #213 (**): Are we ready for some super-retcons? So, let me break this one down: Mr. Sinister has a machine that in the event of his death will transfer his essence into the body of Professor X?
And on that note… I’ll post The Mediocres tomorrow, maybe. Hey, it’s the Fourth of July, I may be busy. Like, drinking and stuff.
Posted by lebeau 





































































Written by J.T. Krul












































