
DC Relaunch: Green Lantern Corps #1
June 25, 2011Review: Green Lantern: Emerald Warriors #2
September 16, 2010
The Green Lantern franchise is currently enjoying a nearly unprecedented surge in popularity. So naturally, DC has decided to milk the darn thing for all it’s worth. That means splitting the cast of Green Lantern Corps into two books. Warriors features Guy Gardner as the lead with support from former Corps co-stars Killowog and Arisia. Former GLC scribe Peter Tomasi also brings with him a few dangling plot threads he started in the original book.
Blackest Night 8 – First Impressions (Spoilers)
April 1, 2010read/RANT has a full review of this issue coming up from my esteemed colleague, Cal Cleary. Be sure to check back for that later on as I’m sure it will be far more insightful than my meager rambling. But if you feel so inclined, please indulge me as I share my first impressions after giving BN 8 a rather quick read.
Review: Green Lantern #50
January 30, 2010I admit, I’ve been rather hard on Geoff Johns’ work on Green Lantern over the last two years. I won’t rehash all of the reasons why the War of Lights has left me cold. I’ve written enough on that already. Just read any GL-related article I’ve written since the end of the Sinestro Corps War.
On the whole, I’ve found Johns to be a mixed bag on this book. No doubt, he’s had lots of cool ideas. And he’s added to the GL mythology in a way that has the fans clamoring for more. And yet, there’s almost always some “Johnsism” that makes his GL less than satisfying for me.
When I’ve written reviews of this book in the past, I think the reviews tended to be dominated by discussions of the lastest derailment. Even if I made a point of saying I enjoyed the issue as a whole, readers certainly focused on the things I didn’t like. And in fairness, I’ve probably given the negatives more space than I have the positives.
So let me say up front that Green Lantern 50 was the most enjoyable issue of GL in a long, long time. Doug Mahnke’s art is the star here. There were pages where I just stopped and took it all in. I didn’t even care about the words on the page. Mahnke is a great artists and he’s at the top of his game right now. This issue may be his best work since Superman Beyond.
As for the writing, well of course there were some “Johnsisms” that really had me rolling my eyes or scratching my head in bewilderment. It wouldn’t be a Geoff Johns issue of Green Lantern if he didn’t write things that were just plain stupid in an attempt to be cool. That’s what he does. But this time, I had to admit, some of the things that happened were pretty darn cool.
The big plot twist is spoiled for you on the cover. Hal decides that the only way to defeat the Black Lantern Spectre is to free Parallax and to become his host. It’s a bit of a WTF moment. Surely there are other solutions that Hal hasn’t considered. Doesn’t this seem like Shadowpact territory? Why is Hal the only suitable host for Parallax and why is Parallax suddenly the only way to defeat the Spectre.
If this was real life, probably every one of Hal’s allies would have told Hal he was crazy and refused to go along with the plan. But this is super hero comics. So they go along with it. And so did I as a reader. It makes no sense, but I don’t want to read an entire issue of exposition that makes it make sense either. So you just go along for the ride.
If you’re willing and able to do that, Green Lantern 50 is a heck of a ride. It has the “epic” feel that the last issue of Green Lantern Corps was lacking. Whereas GLC just felt like Tomasi pulling big plot twists out of his bag of tricks to generate buzz, GL 50 really feels like the culmination of all of Johns’ work on the title to date.
I am going to end the review on a positive note so Bruce Castle won’t call me a “hater” this month. GL 50 was a fun book. There, I said it.
PS. I’m going to rant in the comments section. Don’t tell Bruce Castle!
Review: Green Lantern Corps 44
January 22, 2010I’ve had something of a like/”meh” relationship with this book. Tomasi is a capable writer who delivers plenty of action and reasonably strong characterizations. But I find his pacing is usually off by at least one issue for every story arc. And while he frequently entertains, he never really wows.
To be fair, GLC seems to always draw the short straw when it comes to source material. This is especially true with the Blackest Night issues. Yes, Tomasi has done a good job of delivery buzz-worthy plot twists. Kyle died! (And was resurrected in the very next issue.) Guy, consumed by rage, became a Red Lantern! (And will likely be back to normal next issue.
There’s been plenty of carnage on Oa. Lots and lots of cannon fodder got chewed up over the last few issues. And the landscape of Oa is changed. But no one’s going to miss the characters who died and Oa will no doubt be rebuilt shortly after Blackest Night wraps up.
I’m not bored. But I keep getting this nagging feeling that by the end of the story, none of the events of Green Lantern Corps are really going to matter much. It’s almost like Tomasi was told, “You can do whatever you want. Just be sure to trash Oa and keep the rest of the Corps busy for a while.”
Regular readers know I love Gleason on this book. His art and my affection for the characters is what keeps me coming back. Gleason’s take on a rampaging Guy was worth the price of admission alone.
All in all, this is an entertaining issue. I just wish it felt a little more central to Blackest Night. As it is, it feels marginalized.
Blackest Night Update *Spoilers*
November 13, 2009This is going to be a bit of a weird entry. I didn’t want to give away the topic in the title for fear of spoilers, but anyone who doesn’t want to be spoiled on the events of Green Lantern Corps #42 should read no further.
Last spoiler warning. Read on at your own risk.
I’m not going to review GLC 42. I thought it was a fine issue on it’s own. It suffered from some of the usual pacing issues I have come to excpect from Peter Tomasi. And I thought Patrick Gleason continued his evolution as an artist. Even the Gleason-haters have to admit this was a strong issue for him.
I am going to write about the “shocking death” at the end of the issue. Yep, Kyle Rayner died.
I’ve long been on record as being a Kyle fan. I grew up on Hal. Always liked him. Still do. But I relate to Kyle. And I’ll never relate to Hal.
I remember when Rebirth was announced. Ron Marz came back to write one last arc for Kyle. I read each issue with a sense of impeding dread. I wasn’t ready for DC to axe my favorite character.
Marz’s run came and went. Then ending was a muddled mess but Kyle was still alive. Then came Rebirth which opened with Kyle and a coffin. Kyle mostly got the snot kicked out of him in that series, but he lived to fight another day.
Kyle was a part of the Corps relaunch only to be pulled from the on-going series due to his role in Infinite Crisis and turning into Ion again. I’m still not sure what Johns, Didio and company were going for with that move. The Ion transformation and Jenny’s death just never felt like a natural progression to me.
Kyle had his own maxi series as Ion which was once again written by Ron Marz. And like Marz’s final run on the GL title, it felt like editorial was standing over his shoulder. The series was kind of a mess even for a Kyle fan. But it was good to see my favorite character acting like himself again.
Then came the Sinestro Corps War which was a pretty durn good story. The big moment in the first issue was when Kyle was brutally stripped of his Ion powers and possessed by Parallax. Even as a Kyle fan, I had to admit it was a pretty neat twist.
Of course Johns used this development to “even the score” so to speak. Kyle fans had long accused Hal of being a murderer despite all of Johns’ retcons to the contrary. So, Johns made sure Kyle had blood on his hands as Parallax. And Hal was there to explain that it wasn’t Kyle’s fault – thus exonerating not only Kyle but himself.
I didn’t mind the transparent ulterior motive. It fit into the story. It gave Kyle a little more depth (potentially). And it was just plain cool. Of course, once Sinestro Corps War ended, virtually nothing was done with any of this and Kyle basically went back to being Guy’s sidekick in GLC.
Around the same time, Kyle also got sucked into Countdown. No one came out of Countdown looking good and Kyle was no exception. There was some kind of ill-defined conflict between Jason Todd and Kyle over Donna Troy. It felt kind of like a romantic triangle, but it was never established that Donna was involved or even interested in either one of them.
The less said about Countdown, the better. But I feel the need to point out what a giant wasted opportunity this was. Kyle fans had been waiting for years to have some kind of resolution to the Donna/Kyle relationship. Instead, DC gave us some ill-defined crap that cheapened all three characters. Even Jason Todd came off worse for it!
Moving on, we come to Blackest Night. Like most of the Corps, Kyle’s been toiling in the background while Hal, Sinestro, Barry Allen and Mera (?) are front and center. John Stewart has been mostly MIA. But Mera fans are getting more face time with her than they have in the last 5 years combined.
And then Kyle dies. Obviously, I’m a Kyle fan. You’d think I would be upset. But I’m not. I shrug. I shrug for a lot of reasons I’m about to go into. But let me be clear, I just don’t care that DC killed off Kyle.
I should care. Kyle’s my favorite character in the DC Universe outside of maybe Batman and Superman. I should definitely be upset that he’s dead. The fact that I’m not tells me something is wrong.
So, why didn’t I get upset when Kyle died?
1. It was predictable. As soon as you saw the solicits featuring Guy as a Red Lantern, you knew someone close to him was going to die. Kyle was the most likely candidate.
2. It’s clearly temporary. Blackest Night has been full of deaths and resurrections. But Kyle’s death is being handled differently. His corpse is pristine considering he just got blown up. And unlike almost every other victim in this event, he hasn’t immediately risen as a Black Lantern. Clearly, Kyle’s death is different.
2A. Also, let me add that Tomasi just “killed off” Sodom Yat a few issues ago. And no one buys that death either since there is no body and we have already seen Yat alive in well in the distant future in Legion of Three Worlds.
3. Kyle’s outlived his usefulness. Even as a Kyle fan, I have to admit that his day has passed. DC hasn’t used him as anything but a whipping boy since Hal’s return. And I don’t see that changing any time soon. When they try to give him a spotlight, it turns into Countdown.
Also, let me pick apart Kyle’s death scene for a minute. On the surface, it looks like a good heroic sacrifice. If Kyle was going to go out, this seemed like a pretty good way to do it. But, if you think about the situation for a second, it all seems pretty pointless.
The Alpha Lantern battery was going to explode. The explosion needed to be contained. This should be a piece of cake for Kyle who has contained an exploding sun in JLA. But Kyle decides to kill two birds with one stone. He lures all the Black Lanterns into the blast range and kills them all while containing the blast.
Sounds good, right? Like Spock at the end of Wrath of Khan. Except, Spock had to put himself in harm’s way to save the rest of his crew. If there was any reason for Kyle to be standing in the blast radius, Tomasi didn’t provide it. As a result, he just looks like a suicidal idiot.
Okay, nit picked. We’re supposed to assume Kyle had no alternative and died a hero. Fine. I like Kyle. I’m willing to assume there was some reason for his actions that wasn’t fully explained within the story.
What happens next? Well, maybe Kyle stays dead. I’m fine with that. DC wasn’t using him. Keeping him dead means he doesn’t appear in crap like Countdown any more. And he won’t be the sacrificial lamb every time there’s a big Hal-centric Green Lantern story. Really, I’m fine with this DC. Leave him dead.
But that seems unlikely.
Kyle might rise as a Black Lantern. I’m less cool with this. Having just seen Kyle as Parallax in Sinestro Corps War, this would feel like a re-run. Especially given the fact that we’ve seen umpteen Black Lanterns rise already and it’s getting old.
The Black Lantern scenario seems somewhat unlikely as well. So far, everyone who rose as a Black Lantern did so within a panel or two of dying. The big cliffhanger of the issue usually involves the new Black Lantern closing in on the reader menacingly. With Kyle, that didn’t happen. Maybe it still will, but I doubt it.
Instead, I think Kyle will rise in some other form. Some are guessing White Lanterns will be involved. I don’t know. I’ll just say I expect Kyle to play some part in the resolution of Blackest Night.
But I expect it will be a somewhat minor part. Why? Well, for one DC has sidelined Kyle for years. But more importantly, Kyle’s death happened in GLC. If it was going to be a major turning point in the story, it would have happened in Blackest Night or at least in Green Lantern. Nothing truly important to the central story is likely to happen in GLC or any of the various tie-ins.
I’ve rambled on for a long time now. Thank you for indulging me. But my point is that I’m sure DC was going for a shocking death that would get people buzzing. But even die-hard Kyle fans are just kind of shrugging at this point. And this brings me to my last and perhaps most important point.
Blackest Night has hinged on big character deaths so far. But these deaths have become meaningless. No one expects any of these deaths to last beyond the final issue. In fact, by the end of the story I think most of us expect the graveyards of the DCU to be more empty than full.
Every time they splash in another death, it yields diminishing returns. And with Kyle, they are down to a shrug and a heavy sigh. The next character they kill off may well put me to sleep.
Hopefully, with Nekron raised at the various rainbow warriors in place, Blackest Night can really get started. And hopefully, that won’t involve a bunch of predictable and likely temporary deaths.
But I’m no Blue Lantern. I’m the Ambivalent Lantern at this point. Call me the Grey Lantern. And wake me up when this story gets good.
Review: Green Lantern Corps #41
October 14, 2009
Spoiler Warning: Nothing happens in this issue.
Well, nothing important anyway.
Actually the same thing happens over and over again. A dead Green Lantern taunts a living Green Lantern. The living Green Lantern declares that he or she knows that the dead Green Lantern isn’t the real thing. And then the living Green Lantern blows up the dead Green Lantern and they start to re-form.
This sequence of events repeats seveal times. First it’s Guy and Ke’Haan. Then it’s Kyle and Jade followed by Soranik and Jade. Next comes Arisia and her family. Finally, Kilowog takes on Ermey.
That’s it. That’s the whole comic except for the last couple of pages. That’s when the evil kids and Indigo Lanterns show up with no explanation.
Yep, this issue is Blackest Night filler. Pure and simple. I wouldn’t even mind it so much if Tomasi’s filler wasn’t so damned repetitive. Switch it up a bit, Pete!
The saving grace for me is Patrick Gleason. I know he’s something of an acquired taste, but I love his weird style on this book. It’s especially appropriate for the horror/sci-fi mash-up of Blackest Night.
If you’re reading Blackest Night and you want to save $3, this one is skippable, gang.
Top 5 Best Comics of September 2009
October 10, 2009Boring introduction! I read 21 comics in September, and these were the best.

5. Green Lantern #46
Hey, Green Lantern is great again! We know Mahnke’s art is going to blow our minds, but Johns pulled his weight too, delivering the gore he’s so fond of. There was a lot of progression here, featuring a fight that’s been brewing for a long time. Sinestro and Mongul’s conclusion is not only drawn well, Johns gives each baddie a fun monologue, dripping with a bit of truth. Indeed, for a brief time, Johns made me believe that Mongul could actually win. Loud, bloody, and just the kind of cosmic fun that Johns wants you to have.

4. Wolverine: Old Man Logan Giant Size
It all ends. It was the worth the wait, but for Millar’s part of it, this issue played out exactly how you’d expect, which would’ve been a dull experience, except for the reason we’re all here: Steve McNiven. Just about every panel in here is iconic, ready to be framed on your wall. No matter what silly cliché Millar wrote, McNiven made it sing. However, the writing’s not all bad. This issue pays great tribute to Wolverine’s character as a whole, blending his Western and Eastern ways together. So, even on that corny, Lone Wolf & Cub-inspired last page, I smiled.

3. Detective Comics #857
Another conclusion, what can I say? Those are usually great issues. Alright, Rucka’s opening Batwoman arc hasn’t had as much substance as I’d like, but something we can all agree on is the talent of Williams. We haven’t seen Kate’s origin yet, but she’s already a fully-developed character, mostly due to Williams himself. That continues here, of course, as Williams gets to render some dazzling stunts, with Kate jumping from plane to plane, kicking her way to Alice. Speaking of Alice, this issue delivers a twist with her that I didn’t see coming at all, and it was telegraphed, even on the cover. The twist works, not only to shock us, but as a brilliant window into Kate’s past.

2. Dark Reign: The List – X-Men
I read most of these specials, and this is probably the only one that’s actually a one-shot. Fraction doesn’t conform. This isn’t about political nonsense or the status quo. Fraction gives us the simple tale of revenge, and it works very well. A great deal of that credit goes to Alan Davis. He makes this absurd, spandex-clad medium lyrical. Consider the scene at the end, with Namor, Osborn, and the Sentry. In Davis’ hands, this simple scene becomes a grand confrontation between legends. Superman and Luthor could easily replace Namor and Osborn, and Sentry’s inclusion is the icing on the cake.

1. Dark Avengers/Uncanny X-Men: Exodus
I, like many of you, wasn’t very impressed with this crossover. Fraction’s characterizations were still superb, but the plot seemed to contain nothing but buildup. Well, that all culminated with Exodus, and what a culmination. The epic battle between teams is there, with almost every character utilized. Deals with the devil, an old New Avengers callback, and a new status quo makes this the most explosive comic of the month, and the best too.
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