Dark Reign Rant

June 15, 2009

 Dark Reign Cabal

If you’re a regular reader here (Do we even have regular readers?) then you probably know that I generally keep to DC comics.  But that hasn’t always been the case.  In my mis-spent youth, I read just about everything out there.  Gradually, I narrowed my focus to almost exclusively DC books.

In the last few years, I still kept a toe in the Marvel Universe by reading their big events.  Generally speaking, I didn’t read the tie-in books unless it was a book I was already reading.  But I found that these event books were extremely unsatisfying.  I decided to vote with my dollar and stopped supporting them after the train wreck that was Secret Invasion.

Recently, I decided to pick up an issue of Amazing Spider-man.  The circumstances were less than ideal.  It was part 3 of a 5-part story and a Dark Reign tie-in to boot.  But against all odds, I liked it.  My curiosity was piqued.  I resolved to give more Marvel books a try.

A friend of mine who has been following Dark Reign decided to sate my curiosity.  Over the weekend, he dropped off a pile of comics for my perusal.  As far as I can tell, it was basically every book that Marvel has released with a Dark Reign banner on it.  There had to be at least 100 comics.  There was no way I was ever going to make it through them all.

I did find the time to read a lot of them.  And those I didn’t read, I skimmed through.  I was surprised to enjoy just about every book I read.  But the “event” as a whole really leaves a lot to be desired.

First of all, I’ll state the obvious.  There’s no Dark Reign mini-series.  There’s no central storyline here.  Everything is a tie-in.  The closest thing to a central story is Dark Avengers, I suppose.  But it doesn’t really tie into any of the other books carrying the Dark Reign banner.  Dark Reign isn’t so much of a story as it is the current status quo of the Marvel Universe.

Marvel is marketing this thing like they would a cross-over event.  To say the least, this is misleading.  They’ve got that Dark Reign banner on 100 books and counting.  As best I can tell, if a book has anything to do with an past or present member of SHIELD, HAMMER or the Avengers, it gets the Dark Reign banner.  100 books in and I still haven’t found a hint of a beginning, a middle or an end.  It all feels like a massive cash-grab to me.

As I mentioned before, I enjoyed just about every one of the comics I read.  Part of this was due to selection.  I skimmed the books that didn’t interest me.  (Honestly, I skimmed a good 2/3rds of the pile.)  There were plenty of good stories being told.  The one thing they all had in common was a premise.  And frankly, that premise is flawed.

I imagine everyone reading this is aware that the premise of Dark Reign is that following Secret Invasion, Tony Stark was replaced as the director of SHIELD by Norman Osborn.  The Green Goblin himself has been given “unprecedented powers”.  There don’t seem to be any checks and balances to his powers the way there are in the real world.

Norman’s rise to power hinges on one event.  During the big battle with the Skrulls at the end of Secret Invasion, camera crews caught him picking up Reed Richard’s anti-skrull gun and blasting the bad guys with it.  A psychologically unstable mass-murderer picked up a weapon and shot a mutual enemy, and he is rewarded with the keys to the government.  Only in comics, people.

There are obviously some parallels between this situation and one that DC ran with a few years back.  I’m sure most people remember that the people of the DC Universe elected Lex Luthor as president instead of George W. Bush.  That storyline required a suspension of disbelief to be sure.  But it was a much easier story to buy than Dark Reign.

For one thing, Luthor has a better public image than Orborn.  Following Crisis on Infinite Earths, Luthor was typically portrayed as a successful business man.  Only the readers and the heroes were aware of his sinister motivations.  Occasionally, DC would decide to have Luthor do something overtly evil, but they always had a cover story ready for the public at large.

Norman, on the other hand, has publicly acknowledged his history as the Green Goblin.  He’s talked a lot about second chances and chemical imbalances and whatnot.  But seriously, do you think anyone would allow a convicted felon to be appointed to a position of supreme military power?  How many government appointments have turned into scandals over lesser matters? 

Which brings me to my next point.  Luthor won an election whereas Norman was appointed.  On the surface, it may seem easier for a villain to be appointed than elected.  But, I’m going to say the opposite is true. 

At the time of the Luthor story, George W. Bush was elected as president despite losing the popular vote.  We all remember the “hanging chads” and other bizarre events that made headlines at the time.  With only a smidge of suspension of disbelief, it was relatively easy to buy that someone like Lex Luthor could buy an election. 

But a confessed looney like Norman Osborn would never even be a candidate for an appointed position.  Anyone who attempted to appoint him would suffer the political drubbing of a lifetime.

Making matters worse, the president in the Marvel Universe is the real life president.  Obama appears in issues of the Thunderbolts to test Osborn.  And while Osborn puts on a hell of a show to convince Obama he is a hero, there’s just no way a politically savy guy like Obama would allow a loose cannon like Osborn to be in charge of a massive super powered military, national security or any of the other things Osborn seems to be in control of. 

Even with a fictitious goofusof a president, this would be hard to believe.  Having Obama in office just makes it all the more ridiculous.

At several points, the books I read acknowledged that the central premise was far fetched.  Clint Barton goes on live television and publicly lists all of Norman’s crimes.  He accuses the Dark Avengers of being murderers and criminals.  And no one seems overly concerned.  In spite of the fact that during Civil War the public didn’t even trust Captain America, they are now willing to accept any masked character based on the say-so of a madman and convicted felon.

The heroes themselves have no idea how to respond.  I lost count of the number of times one Avenger told another Avenger to wait it out.  The theory seems to be that Osborn will screw up big eventually.  Well, of course he will.  We all know how the story is going to play out.  But should the Avengers really just sit on the sidelines waiting for a big, public screw-up while Norman sits in his office abusing his power?

In the Spider-man issue I reviewed, Spidey decided to get pro-active.  His answer was to pose as Venom and infiltrate the Dark Avengers. 

Several characters (including Spidey himself) pointed out that it was a stupid plan.  And Spidey pays the price.  Wouldn’t it be 1,000 times easier to arrange a public unmasking of Norman’s Avengers?  Seriously, one snap shot of Bullseye as Hawkeye and this story should be over.  How hard could it possibly be to bait these guys into screwing up their public image?

That brings me to another point.  There’s really no one to root for in Dark Reign.  The heroes are all sitting on their hands while the villains take center stage.  At some point in the future, they are going to self destruct.  That’s the story?!?

The hero who has been the most impacted by Dark Reign is Tony Stark.  I’ve never been the biggest Iron Man fan.  And Civil War really made me hate the character.  So, I have to admit I kind of enjoyed seeing him on the outs.  But even as low as Tony is now, I’m still not rooting for the guy. 

It’s really hard to feel sorry for Tony seeing as how he appointed Norman Osborn to head the Thunderbolts to begin with.  Tony got in bed with Norman, Bullseye and Venom when he ran the show.  No surprise it bit him in the ass.

Every now and then I found myself asking, “Is Norman Osborn really all that much worse than Tony Stark?”  Well, of course he is.  Tony is portrayed as a hero who made some bad decisions in tough times whereas Norman is a psycho who portrays himself as a hero. 

But, if you really look at their actions objectively, both Norman and Tony abused their power to further their interests.  They both believe that the ends justify the means.  The Marvel Universe as a whole doesn’t seem to be any worse off under Osborn than it was under Stark.  They are both just different shades of grey.

The shame of it is that a lot of the comics that tie into Dark Reign are good comics.  You just have to get past the absurd premise.  Sometimes, that can be hard to do.  But if you can, there’s some good super hero stories being told.

In the last few years, I’ve gotten really leery of big event comics.  Frankly, I can’t think of one that really delivered the goods.  (As good as Final Crisis was, it made for a pretty dismal event.)  Dark Reign seems to exemplify just about everything I’ve hated about recent Marvel event-driven stories.

It’s bloated.  I pity anyone who (like my friend) feels compelled to buy every chapter.  He’s already hundreds of dollars in the hole.  I bet he’ll have invested a grand in Dark Reign before it’s done.  That’s crazy!

The premise requires the characters involved to behave out of character in order to further the plot.  In this case, the entire Marvel Universe is acting out of character.

And while it’s too early to know for sure, the ending is likely to be an anti-climax that leads directly into Marvel’s next big event.  I mean, how else can this end?  Given Marvel’s track record with ending big events lately, I’ve learned to expect the worst.

On the upside, I’m probably going to be reading a few Marvel books for a little while.  And by any measure, that’s a success for Marvel.  But despite a few good reads in the bunch, I couldn’t help getting in a good rant about the larger issues.

read/RANT


Mega Review

May 6, 2008

So, it’s been awhile.  I keep compiling the books for the week until I reach the point where I am now, with a good 12 almost full reviews written up.  I know, madness.  But…here you go!  The first batch of ‘em.

DC/Wildstorm: Dreamwar #1

I normally avoid crossovers.  Whether it’s the idiotic Marvel/DC crossover that had Storm beating Wonder Woman, Wolverine beating Lobo, or Aquaman beating Namor, or the lackluster Captain Atom: Armageddon, the fan-vote thing is rarely the way to go, and the threat is generally…well, uninteresting, to say the least.  Keith Giffen, famous for the critically-acclaimed JLI and Annihilation, takes a stab at this crossover miniseries between DC and Wildstorm.

In the first issue, we know precious little.  It’s all set-up.  It’s generally interesting, well-done set-up, but we still know nothing about why this is happening, why these people.  Of course, this being a crossover, this issue is largely fighting between heroes, because…errr…that’s what heroes do when the meet, I guess.  The notable exception, and the part that sold me on the book, is the JSA meeting the heroes of Tranquility.

As far as crossovers go, it’s definitely competent and definitely better than average.  But not by much, and while all the components work well together, ultimately it’s nothing more than a beginning to a series of seemingly meaningless, random fights.

Grade: C+

DC Universe #0

 

DC Universe isn’t going to be a long review…because it wasn’t really a comic.  It was an ad.  It was a good ad, I thought, but it was an ad nonetheless, dealing with important upcoming storylines.  Most of the ads were compelling three-page previews, though I doubt they sold anyone on anything they weren’t planning on getting already.

It’s greatest failure is that it’s a horrible jumping on book for new readers, and the 50 cent price tag meant that it SHOULD have been the perfect place.  Most of the previews required at least some prior knowledge of the books previewed to understand and appreciate them, meaning new readers would have just been lost and potentially put-off buying any of the books.

Still, it was an interesting experiment, fairly well-written and with exceptionally good art.  I view it as a set of trailers, and some of the trailers definitely whet my appetite for what’s to come for DC.

Oh, and Barry Allen’s back.  I’m sure someone is happy about that.

Grade: B

Jim Butcher’s The Dresden Files: Welcome to the Jungle #1 (of 3)

Jim Butcher has done pretty well for himself since starting The Dresden Files in 2000.  The series has become quite popular, coming out reliably every year.  Eventually, it spawned a TV show that was…let’s say, less than impressive, though it got better as it went on.  It has a pen and paper role-playing game coming out soon, and Butcher is working on a movie for when the film rights return to him in a few years.  And now, it’s crossed over to comics with this three-issue prequel to his first novel, Storm Front. 

As for how it was…it was good.  Not spectacular, but good.  A good amateur attempt on the part of Butcher, obviously unaccustomed to the restraints in dialogue space and panel description, it was none-the-less unspectacular.  Still, it will be interesting to note whether or not Butcher improves over the life of this three-issue series, given how much his novels have improved over their 8 year life.

The art, like the writing, is fine but unspectacular.  Ultimately, if you’re a fan of the Dresden Files, you won’t want to miss this competent prequel.  It may even bring in a few new fans to the series.  But this first issue is almost entirely set-up, and not the most compelling set-up I’ve ever read.

Grade: C+

Checkmate #25

Castling pt 3

I’ve been looking forward to this issue, and dreading it, for months, now.  On the one hand, it’s Rucka’s last issue, his finale!  On the other hand…it’s his last issue.  That’s depressing.  But, the first few parts of Castling have been excellently handled, so I was understandably excited for this last part of it.  However, this final issue is something of a let down.

It’s not bad.  But, you know what, Checkmate has, over the past 24 issues, proven that ‘not bad’ is not good enough as it has consistently provided the smartest, best superheroics on the shelves.  This issue was overly hurried to the point that it hurt the book. 

Scenes involving the Rooks weren’t always clear, either in art or in caption, and while the Rooks were definitely enormously competent, Rucka definitely did not have them live up to the hype as some of the most deadly weapons in the DC Universe when it came to covert ops.

Aside from some unclear panels, the art was some of the best of the series.  The action scenes especially were dynamically brutal while maintaining their sense of sci-fi madness. 

Overall, if you’ve been reading Rucka’s run, you’ll pick this up, but don’t go out of your way to find it.  It’s not a bad issue, and the rest of the Castling arc is well worth the read, but as Rucka’s farewell, it left me a little hollow.

Grade: B-

SPOILER

As an aside, what does it say about comics today that the huge, shocking twist at the end is that the Rooks did not murder the infants?

Thunderbolts: Faith in Monsters TPB

The Thunderbolts had long lived in relative obscurity.  They had their fans, but they hadn’t been involved in anything important since their admittedly interesting inception back in the Onslaught era.  Civil War changed all that.

The Thunderbolts became a team of supervillains hired by the government to hunt down unregistered superheroes, and this controversial position has led to, I think, a lot of misconceptions about the point of the book, at least from what the first trade seems to suggest.

Because, if there’s one thing Warren Ellis does well in Thunderbolts, it’s making otherwise C-F list heroes into the rebel heroes many of us secretly wish we were.  They become more than just super-heroes – everyone is a super-hero, there’s little special about that.  Jack Flag becomes a hero.  American Eagle becomes an icon of Anti-Registration spirit.  This book, it seems, is the most anti-Registration book of all.

All is not well, however.  While Ellis does a great job with his portrayals of the problems of such a team working together, and displays heroism among both the Thunderbolts and their victims, I have a hard time buying that the American public is quite as stupid as they’re portrayed here (though, the Edward R. Murrow reference was classy as hell and helped remind me that this isn’t the first time that extreme fear in the hands of the wrong people has led to some…idiocy).  The extreme stupidity displayed by the average American in Civil War was hard enough to swallow, and Ellis doesn’t try to expound upon what drove people to change so much so fast.  In fact, Ellis asks us to further believe that people could forget Osborn’s past, Venom’s past, etc….

Perhaps the most telling moment for me is when the Thunderbolts, in their fight against Jack Flag, blow up a bunch of cars, seriously injuring him.  Their reasoning is that he mined them in a set-up for his last stand, but that’s asking us to stretch our imaginations an awful lot: he booby-trapped an area of the parking lot on the off chance the Thunderbolts would arrive and then detonated them precisely when it would hurt him most and help him least.  It’s not the only moment like that, but it is the one that most stuck out to me.

Ultimately, Thunderbolts: Faith in Monsters is an interesting opening story-arc to a series that has a lot of potential, and the opening arc sets it up well, but there’s this nagging feeling throughout reading that this is yet another step too far, that, once again, I can’t quite suspect my disbelief that far when it comes to the beliefs of the everyday person.  I just can’t bend myself far enough to believe that the general Marvel Universe population is quite as stupid as Marvel seems to want us to believe they are.

Oh, and Penance is still the stupidest idea in the last 5 years of comic books.

Grade: B

Welcome to Tranquility, volume 1 TPB

Welcome to Tranquility is among Gail Simone’s best work to date, and is very among her worst sellers.  This first volume deals with the murder of Mr. Articulate, one of a great many characters Simone created specifically for this book, and the investigation that digs deep into the dirty secret of Earth’s mightiest and most revered hero.

Welcome to Tranquility is set in Tranquility, a retirement community for super-powered individuals.  Heroes and villains live in (mostly) peaceful retirement with their children and grandchildren, leaving old rivalries behind and just trying to survive.  Simone expertly crafts an entire world from nothing, giving us heroes of every Age – detectives, romances, war heroes, and genuine super-heroes.  Almost everyone is guaranteed to find a new character that suits their tastes.

The book is rarely bogged down from the sheer number of the characters introduced, but at times it certainly is.  The book tries to help with this by introducing occasional 1-3 page ‘old school’ comics, recounting the Golden Age adventures of one or two heroes who will be important to the story.  Those stories are a pleasure to read, and a great way to be introduced to some important characters.  More over, they are referenced in-story, as part of an entire super-hero culture Simone attempts to build.

Like many of Simone’s books, Welcome to Tranquility has a great deal of humor in the book, balanced by excellent characterization and just a smidge of tragedy.  While the first arc is a murder mystery, it’s not one that the book gives you any chance to solve before the story does, and that’s something that can definitely annoy some readers. 

The book also offers a slightly darker take on the Golden Age, portraying them all as real, flawed human beings, building them up as the iconic heroes we know from comics early days only to tear many of them down as we so often do now.

Welcome to Tranquility is worth a read if you’re interested in something new.  New characters, a new setting, all profiting off of comics rich history without worshipping it.

Grade: A-

That’s it for my reviews for the past couple weeks.  Coming soon?  Stormwatch PHD, Blue Beetle #26, and the novel Soon I Will Be Invincible, as well as what I pick up this Wednesday.


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