
Review: Walking Dead: Season 2, Episode 7 – pt 1.
If it’s short, sharp reviews of the New 52 ye seek, then here be one sentence reviews for the comics of the week.
Each comic is scored out of five and at the end I have a cumulative leader board (averaging the scores of each title) to show which are consistently excellent, which are on the rise, and which are circling the drain.
I have also reviewed the mini-series issues but they aren’t included in the leaderboard.
Warning, there could be spoilers ahead (although I try to avoid them).
I know that someone out there is going to read this next sentence and laugh at me, but here goes: I think that John Rogers’ run on Blue Beetle is one of the best superhero comics of the last decade. And it wasn’t grim, it wasn’t gritty, it wasn’t ultraviolent. It was a smartly-told book about a fundamentally good kid trying to live up to the impossible standards he set himself. All that in a book that also just happened to include evil exploding electro-magnetic penguin creatures. When I heard that Jaime Reyes would be the star of Blue Beetle in the new 52, I got very excited; when I read the first issue, my excitement was a bit dampened.
In part I think because of its proximity of release to Red Hood and the Outlaws, Judd Winick and Guillem March’s take on Catwoman got unfairly eviscerated by a lot of people. Voodoo, which features even more explicit nudity and sexuality than Catwoman but was released a week later, largely avoided the controversy, after all. And while I certainly had some issues with Catwoman #1, I said this: “While I do hope that the levels of cheesecake are toned down in the future – at this stage, it feels deeply exploitative to an almost satirical degree – I can’t deny that the issue was fun, energetic and lively.” So, two months later, what’s going on in Catwoman?
I’ve never been a huge Supergirl fan. Or, well, I’ve never been a huge Kara Zor-El fan. For me, Supergirl was always Linda Lee Danvers, whose “Many Happy Returns” story-arc remains one of the best blends of modern age storytelling focusing and enhancing some silver age ideals (as well as being absolutely heartbreaking). When Kara returned in the mid-2000s, it was as a sexed-up teenage brat, and it wasn’t long before I gave up on her completely. It was only with the reboot, and my decision to give every book a shot, that I really decided to give Kara another chance to grab me, and I’m glad I did. Michael Green and Mike Johnson are not telling a complicated story, but they are telling it well.
In a complete reversal of what normally happens to me when a Geoff Johns comic comes out, I’ve actually taken flak from some readers for not bashing on Justice League enough. In fact, I’ve been fairly supportive of what he’s been trying to do, even if I see what he’s trying to do with the comic as being fairly flawed. Despite that, I still maintain that the first two issues of Justice League are solid, enjoyable reads, confidently introducing us to the world and to the characters while setting up a threat big enough to unite them all. Justice League #3 brings that threat very firmly to Earth, but loses the sense of characterization that drove the first two issues.

Here you’ll find one sentence reviews of each ongoing title released this week. They are scored out of five and at the end I have a cumulative leader board (averaging the scores of each title) to show which are consistently excellent, which are on the rise, and which are circling the drain.
I have also reviewed the mini-series issues but they aren’t included in the leaderboard.
There could be spoilers ahead (although I try to avoid them).
“Clash”, “Hunter’s Moon (a.k.a. ‘Mystery in Space’)”

I’ve fallen a little behind in my comic book reading. And as we head into the third issues for the relaunched books, I find myself struggling to find new things to say about most of them. I find it both challenging and dull to write up the same books month after month. This week, I thought I’d change things up with some mini-reviews. No way I can limit myself to one sentence like Ike. But I’ll keep my rambling to a minimum.
Let’s do a little exercise in history here and look at the publication of X-Men comics these last few years. We’re in the midst of Regenesis right now, but where did that come from? Well… Regensis -> Schism -> Second Coming -> Curse of the Mutants -> Necrosha -> Utopia -> Messiah War -> Messiah Complex -> Endangered Species -> House of M. That’s 10 crossover events in 5-6 years. For a single set of characters. Each with accompanying reboots, relaunches, crossover minis and Things That Will Change Forever.